% Generated by lilypond-book % Options: [printfilename,texidoc,linewidth] \paper { linewidth = 160 \mm } \renameinput "coriolan-margin.ly" \version "2.2.6" % Ugh, we need to override some LaTeX titling stuff \header { title = "Ouvertüre\\vrule width0pt height 0pt depth 1ex" subtitle = "\\normalsize Zu Heinrich Joseph v. Collins Trauerspiel\\vrule width0pt height 0pt depth 1ex" subsubtitle = "\\Large\\bf Coriolan" opus = "Op. 62" piece = "\\hspace*{30mm}\\normalfont\\large Allegro con brio" composer = "Ludwig van Beethoven (1770-1827)" texidoc = "@cindex Orchestra Score @cindex Coriolan Score In an orchestral score (Beethoven's Coriolan overture), there are different instrument groups, and some of the instruments may be transposed. Instruments are indicated either with a long or short name. " } #(set-global-staff-size 16) raisedFlat = \markup { \raise #0.4 \smaller \smaller \flat } flauti = \notes \relative c' { \set Staff.instrument = #"2 Flauti" \set Staff.instr = #"Fl." } oboi = \notes \relative c' { \set Staff.instrument = #"2 Oboi" \set Staff.instr = #"Ob." } clarinetti = \notes \relative c' { \set Staff.instrument = \markup { \column < "Clarinetti" { "in B" \raisedFlat } > } \set Staff.instr = \markup { \smaller { "Cl(B" \raisedFlat ")" } } } fagotti = \notes \relative c' { \set Staff.instrument = #"2 Fagotti" \set Staff.instr = #"Fg." } corni = \notes \relative c' { \set Staff.instrument = \markup { \column < "Corni" { "in E" \raisedFlat } > } \set Staff.instr = \markup { \smaller { "Cor(E" \raisedFlat ")" } } } trombe = \notes \relative c' { \set Staff.instrument = \markup \column < "2 Trombe" "(C)" > \set Staff.instr = \markup \column < "Tbe." "(C)" > } timpani = \notes \relative c' { \set Staff.instrument = \markup \column < "Timpani" "(C-G)" > \set Staff.instr = #"Timp." } violinoI = \notes \relative c' { \set Staff.instrument = #"Violino I " \set Staff.instr = #"Vl. I " \time 6/8 r2. r2. r2. r2. %% 5 r2. r2. cis' 4. ^ "arco" -\f d' 8 e' f' g' 8 r r r4. g' 8 g' g' 4 g' 8 g' %% 10 d'' 8 -\accent r d'' -\accent r d'' -\accent r r2. r2. r2. r4. r8 r cis'' ^ "pizz" %% 15 fis' 8 r r r4. r2. r2. r2. r2. %% 20 d'' 8 r dis'' r4. r2. r8 r f'' r r f'' r2. d'' 16 ^ "arco" cis'' d'' cis'' d'' cis'' d' 4. \< %% 25 ees'' 16 \! d'' ees'' d'' ees'' d'' dis' 8 -\staccato-\accent dis' -\staccato-\accent dis' -\staccato-\accent r2. r2. r2. r2. %% 30 r2. r2. bes' 16 -\mp a' a' 8 c'' des'' 4. ~ des'' 2. ais' 8 \< ais' ais' des'' des'' des'' %% 35 b' 4. -\f \! b' 8 c'' d'' ees'' 4. r r2. r2. r2. %% 40 r2. bes' 16 -\f a' a' 8 c'' des'' 4. ~ des'' 2. d'' 8 d'' d'' r4. r2. %% 45 r2. r4. ges' 16 -\pp f' ges' f' ges' f' bes' 16 -\f a' a' 8 c'' des'' 4. ~ f' 8 -\p f' f' 4 f' 8 f' r4. dis' 8 dis' dis' %% 50 r2. r8 r dis'' ^ "pizz"-\mf r r dis'' r2. r2. r4. r8 ais' b' %% 55 r2. r2. r2. r2. r2. %% 60 dis' 8 ^ "arco"-\mp e' dis' dis'' 16 -\accent dis'' dis'' dis'' -\accent dis'' dis'' dis'' 16 -\f -\accent \< dis'' dis'' dis'' -\accent dis'' dis'' e'' dis'' dis'' 8 fis'' g'' 8 -\ff -\staccato-\accent \! g'' -\staccato-\accent g'' -\staccato-\accent r4. r2. r8 ^ "pizz" r g'' -\mf r r g'' %% 65 r2. g' 8 ^ "arco"g' g' r4. ais' 8 ^ "pizz"ais ais' r4. r8 g ^ "arco"-\mp a bes 4. r8 ais' ^ "pizz"b' r ais' b' %% 70 r2. r2. r2. b'' 16 ^ "arco"-\mf ais'' b'' ais'' b'' ais'' b' 4. c''' 16 b'' c''' b'' c''' b'' c'' 8 -\staccato-\accent c'' -\staccato-\accent cis'' -\staccato-\accent %% 75 r2. r2. f' 8 ^ "pizz"ges' r r4. r2. gis' 8 gis' gis' gis' fis' e' %% 80 fis' 4. r r2. r2. r4. a' 16 gis' a' gis' a' gis' a 4. \< b' 8 -\staccato-\accent \! b' -\staccato-\accent b' -\staccato-\accent %% 85 r2. r2. r2. r2. gis' 16 -\pp g' g' 8 ais' b' 4. ~ %% 90 b' 2. gis' 8 \< gis' gis' b' b' b' r2.-\mp \! r2. r2. %% 95 r2. \bar "|." } violinoII = \notes \relative c' { \set Staff.instrument = #"Violino II " \set Staff.instr = #"Vl. II " } viola = \notes \relative c' { \set Staff.instrument = #"Viola" \set Staff.instr = #"Vla." } violoncello = \notes \relative c' { \set Staff.instrument = \markup \column < "Violoncello" "e" "Contrabasso" > \set Staff.instr = \markup \column < "Vc." "Cb." > } \score { << \context StaffGroup ="legni" << \context Staff ="flauti" \flauti \context Staff ="oboi" \oboi \context Staff ="clarinetti" \clarinetti \context Staff ="fagotti" \fagotti >> \context StaffGroup ="ottoni" << \context Staff ="corni" \corni \context Staff ="trombe" \trombe >> \context StaffGroup ="timpani" << \context Staff ="timpani" \timpani { \skip 1 % Hmm: this forces a staff-bracket, that's good! % However, I can't find where is decided on staff-bracket yes/no } >> \context StaffGroup ="archi" << \context GrandStaff ="violini" << \context Staff ="violinoI" \violinoI \context Staff ="violinoII" \violinoII >> \context Staff ="viola" \viola \context Staff ="violoncello" \violoncello >> >> \paper { \paperSixteen indent=100.0\mm linewidth=150.0\mm \context { \RemoveEmptyStaffContext } \context { \OrchestralScoreContext \override TimeSignature #'style = #'C } } }