Re: Issue 760 in lilypond: Feature request: polyphony shortcut could be better

[James E. Bailey]

El 06.03.2009, a las 13:54, Valentin Villenave escribió:

> 2009/3/6 James E. Bailey <address@hidden>:
>
> > \version "2.12.2"
> > musOne = \context Voice = upperOne \relative f' { f4 <<{g a}\\{e d} 
> > >>f }
> > musTwo = \context Voice = upperTwo \relative f' { f4 <<{\voiceOne g
> > a}\context Voice = lowerTwo {\voiceTwo e d}>>\oneVoice f }
> > lyr = \lyricmode { This text splits here. }
> >
> > \score {
> >        <<
> >                \new Staff \musOne
> >                \new Lyrics \lyricsto upperOne \lyr
> >        >>
> > }
> > \score {
> >        <<
> >                \new Staff \musTwo
> >                \new Lyrics \lyricsto upperTwo \lyr
> >        >>
> > }
>
> I'm not sure how such an example could be handled automatically, since
> you're using manual Voice naming for your \lyricsto instructions.
>
> I should try again and search for Mats' example I mentioned.

I'm of the opinion anything Mats does is better than anything I do.  
The goal is that <<{}\\{}>> doesn't create two new voice contexts,  
but rather keeps the first one active, and just creates a second new  
voice context. Remember that the goal here is that one voice is  
consistent throughout. I guess I could have used the \voiceOneStyle,  
in which case, the example would be:
\version "2.12.2"
musOne = \context Voice = upperOne \relative f' { \voiceOneStyle f4 << 
{g a}\\{e d}>>f }
musTwo = \context Voice = upperTwo \relative f' { \voiceOneStyle f4 << 
{\voiceOne g a}\context Voice = lowerTwo {\voiceTwo e d}>>\oneVoice f }

\score {
       <<
               \new Staff \musOne
       >>
}
\score {
       <<
               \new Staff \musTwo
       >>
}