Re: Issue 1110 in lilypond: Wrong octave of repetition chord with \relative and #{ #} syntax

[lilypond]

Comment #18 on issue 1110 by address@hidden: Wrong octave of repetition chord  
with \relative and #{ #} syntax
http://code.google.com/p/lilypond/issues/detail?id=1110

While we are at it: what is the desired output of
\parallelMusic #'(A B) { <c e g>1 | <g c e> | q | q |}
\new Voice { << \relative c' \A \\ \relative c'' \B >> }
Constructs like that make me suspect that it might be a good idea to let q  
not record any pitches at all, and instead let the pitches get recorded and  
filled in later, when the music expression is getting passed to a context.   
Alternatively, prohibit q across voice changes.

If we do that, \relative does not need any special treatment.