diff --git a/lilypond-2.17.5/Documentation/music-glossary.tely b/lilypond-2.17.5q/Documentation/music-glossary.tely index 115e757..77d5fd4 100644 --- a/lilypond-2.17.5/Documentation/music-glossary.tely +++ b/lilypond-2.17.5q/Documentation/music-glossary.tely @@ -243,10 +243,11 @@ Languages in this order. * half rest:: * harmonic cadence:: * harmonics:: * harmony:: * hemiola:: +* high bass clef:: * homophony:: * hook:: * hymn meter:: * incomplete dominant seventh chord:: * interval:: @@ -1223,11 +1224,11 @@ S: basklav, FI: bassoavain. A clef setting with middle C on the first top ledger line. @seealso address@hidden clef}. address@hidden clef}, @ref{high bass clef}. @node beam @section beam @@ -4287,10 +4288,306 @@ and is therefore a polymeter (second definition) of considerable antiquity. @seealso @ref{mensural notation}, @ref{meter}, @ref{polymeter}, @ref{proportion}. address@hidden high bass clef address@hidden high bass clef + +ES: ?, +I: ?, +F: ?, +D: hoher Bassschlüssel, +NL: ?, +DK: ?, +S: ?, +FI: ?. + +Since the 18th century the @i{high bass clef} is used in french horn parts +for the lowest pitches. It looks identical to the @address@hidden bass clef}, +but in relation to the treble clef it is an @i{octave up bass clef} without +the octavation number. +(The octavation number above or below the clefs was introduced much +later, at the beginning of the 20th century.) +This usage of the @i{F clef} was inherited from the french horn to the +basset horn and to the bass clarinet. + +In modern music literature (and modern reprints) for the french horn mostly the address@hidden@q{standard} bass clef} is used today. +The player can usually answer the question "high or standard bass clef in this +piece?" based on the melodic context. + address@hidden,staffsize=17,notime,line-width=13.0\cm] +#(define-markup-command (histogram-element layout props up-value down-value) + (integer? integer?) + #:category font + #:properties ((thickness 0.1) + (baseline-length 3.5) (block-width 1.5) (height-factor 0.3)) + (let* + ((erg (make-line-stencil thickness + (* -0.5 baseline-length) 0.0 (* 0.5 baseline-length) 0.0)) + (box-l (* -0.5 block-width)) + (box-r (* 0.5 block-width))) + (if (> up-value 0) + (let ((h (* up-value height-factor))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-l 0.0 box-l h))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-r 0.0 box-r h))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-l h box-r h))))) + (if (> down-value 0) + (let ((h (* -1.0 down-value height-factor))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-l 0.0 box-l h))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-r 0.0 box-r h))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-l h box-r h))))) + erg)) + +Chart = \lyricmode { + \set stanza = \markup \translate #'(0 . 2.4) \column { + \fontsize #-2 \concat { " 1" \super "st" + " Horn " \italic "(in E" \flat \italic")" } + \scale #'(0.85 . 1.0) \fontsize #-1 "TONE USAGE CHART" + \fontsize #-2 \concat { " 2" \super "nd" + " Horn " \italic "(in C)" } + } + \markup { \histogram-element #1 #0 } + \markup { \histogram-element #1 #0 } + \markup { \histogram-element #8 #2 } + \markup { \histogram-element #1 #0 } + \markup { \histogram-element #8 #36 } + \markup { \histogram-element #16 #0 } + \markup { \histogram-element #5 #8 } + \markup { \histogram-element #23 #9 } + \markup { \histogram-element #16 #6 } + \markup { \histogram-element #10 #0 } + \markup { \histogram-element #0 #1 } +} + +HrItrebleUsage = \lyricmode { + \set stanza = \markup { \fontsize #-2 \concat { 1 \super "st" + " Horn " \italic "(in E" \flat \italic")" } } + \override LyricText #'font-size = #-1 + \skip4 \skip4 "7" "1" "8" "16" "5" "23" "16" "10" "-" +} + +HrIItrebleUsage = \lyricmode { + \set stanza = \markup { \fontsize #-2 \concat { 2 \super "nd" + " Horn " \italic "(in C)" } } + \override LyricText #'font-size = #-1 + \skip4 \skip4 "2" "-" "36" "-" "8" "9" "6" "-" "1" +} + +HrIbassUsage = \lyricmode { + \set stanza = \markup { \fontsize #-2 \concat { 1 \super "st" + " Horn " \italic "(in E" \flat \italic")" } } + \override LyricText #'font-size = #-1 + "1" "1" "1" +} + +HrIIbassUsage = \lyricmode { + \set stanza = \markup { \fontsize #-2 \concat { 2 \super "nd" + " Horn " \italic "(in C)" } } + \override LyricText #'font-size = #-1 + "-" "-" "-" +} + +\score { + << + \new Lyrics = "HrIt" { s4 } + \new Lyrics = "HrIIt" { s4 } + \new Staff { + \clef treble + \override Stem #'stencil = ##f + s4 + \override NoteHead #'color = #(x11-color 'grey70) + f + \revert NoteHead #'color + g b c' e' g' c'' d'' e'' g'' + } + \new Lyrics = "Histo" { s4 } + \new Staff { + \new Voice = "Histogram" { + \clef "bass^8" + \set Staff.clefOctavation = #0 + \override Stem #'stencil = ##f + c4 f g + \override NoteHead #'color = #(x11-color 'grey70) + b c' e' g' + \override NoteHead #'transparent = ##t + c' c' c' c' + } + } + \new Lyrics = "HrIb" { s4 } + \new Lyrics = "HrIIb" { s4 } + \context Lyrics = HrIt \lyricsto Histogram \HrItrebleUsage + \context Lyrics = HrIIt \lyricsto Histogram \HrIItrebleUsage + \context Lyrics = HrIb \lyricsto Histogram \HrIbassUsage + \context Lyrics = HrIIb \lyricsto Histogram \HrIIbassUsage + \context Lyrics = Histo \lyricsto Histogram \Chart + >> + \layout { + \context { + \Lyrics + \override LyricSpace #'minimum-distance = #0.0 + } + } + \header { + piece = \markup \column { + \fontsize #-1 \underline "Pitch usage in:" + "W. A. Mozart (1756-1791): Masonic Funeral Music, KV 477" + \fontsize #-1 "score by Breitkopf & Härtel, Leipzig, 1881" + } + } +} address@hidden lilypond + address@hidden,staffsize=17,notime,line-width=13.0\cm] +#(define-markup-command (histogram-element layout props up-value down-value) + (integer? integer?) + #:category font + #:properties ((thickness 0.1) + (baseline-length 3.5) (block-width 1.5) (height-factor 0.3)) + (let* + ((erg (make-line-stencil thickness + (* -0.5 baseline-length) 0.0 (* 0.5 baseline-length) 0.0)) + (box-l (* -0.5 block-width)) + (box-r (* 0.5 block-width))) + (if (> up-value 0) + (let ((h (* up-value height-factor))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-l 0.0 box-l h))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-r 0.0 box-r h))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-l h box-r h))))) + (if (> down-value 0) + (let ((h (* -1.0 down-value height-factor))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-l 0.0 box-l h))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-r 0.0 box-r h))) + (set! erg (ly:stencil-add erg (make-line-stencil thickness + box-l h box-r h))))) + erg)) + +Chart = \lyricmode { + \set stanza = \markup \translate #'(0 . 2.4) \column { + \fontsize #-2 \concat { " 1" \super "st" " Horn " \italic "(in F)" } + \scale #'(0.85 . 1.0) \fontsize #-1 "TONE USAGE CHART" + \fontsize #-2 \concat { " 2" \super "nd" " Horn " \italic "(in F)" } + } + \markup { \histogram-element #2 #0 } + \markup { \histogram-element #2 #1 } + \markup { \histogram-element #0 #3 } + \markup { \histogram-element #2 #1 } + \markup { \histogram-element #3 #8 } + \markup { \histogram-element #2 #1 } + \markup { \histogram-element #6 #1 } + \markup { \histogram-element #4 #1 } + \markup { \histogram-element #0 #8 } + \markup { \histogram-element #14 #14 } + \markup { \histogram-element #17 #5 } + \markup { \histogram-element #9 #1 } + \markup { \histogram-element #9 #4 } + \markup { \histogram-element #9 #3 } + \markup { \histogram-element #1 #0 } + \markup { \histogram-element #8 #2 } + \markup { \histogram-element #5 #0 } + \markup { \histogram-element #9 #0 } + \markup { \histogram-element #1 #0 } +} + +HrItrebleUsage = \lyricmode { + \set stanza = \markup { \fontsize #-2 \concat { 1 \super "st" + " Horn " \italic "(in F)" } } + \override LyricText #'font-size = #-1 + \skip4 "2" "-" "2" "3" "2" "6" "4" "-" "14" "17" "9" "9" "9" "1" "8" + "5" "9" "1" +} + +HrIItrebleUsage = \lyricmode { + \set stanza = \markup { \fontsize #-2 \concat { 2 \super "nd" + " Horn " \italic "(in F)" } } + \override LyricText #'font-size = #-1 + \skip4 "1" "3" "1" "8" "1" "1" "1" "8" "14" "5" "1" "4" "3" "-" "2" + "-" "-" "-" +} + +HrIbassUsage = \lyricmode { + \set stanza = \markup { \fontsize #-2 \concat { 1 \super "st" + " Horn " \italic "(in F)" } } + \override LyricText #'font-size = #-1 + "2" +} + +HrIIbassUsage = \lyricmode { + \set stanza = \markup { \fontsize #-2 \concat { 2 \super "nd" + " Horn " \italic "(in F)" } } + \override LyricText #'font-size = #-1 + "-" +} + +\score { + << + \new Lyrics = "HrIt" { s4 } + \new Lyrics = "HrIIt" { s4 } + \new Staff { + \clef treble + \override Stem #'stencil = ##f + s4 g b c' d' es' e' f' fis' g' a' b' c'' d'' dis'' e'' f'' g'' a'' + } + \new Lyrics = "Histo" { s4 } + \new Staff { + \new Voice = "Histogram" { + \clef "bass^8" + \set Staff.clefOctavation = #0 + \override Stem #'stencil = ##f + c4 + \override NoteHead #'color = #(x11-color 'grey70) + \override Accidental #'color = #(x11-color 'grey70) + g b c' d' es' e' f' fis' g' a' + \override NoteHead #'transparent = ##t + c' c' c' c' c' c' c' c' + } + } + \new Lyrics = "HrIb" { s4 } + \new Lyrics = "HrIIb" { s4 } + \context Lyrics = HrIt \lyricsto Histogram \HrItrebleUsage + \context Lyrics = HrIIt \lyricsto Histogram \HrIItrebleUsage + \context Lyrics = HrIb \lyricsto Histogram \HrIbassUsage + \context Lyrics = HrIIb \lyricsto Histogram \HrIIbassUsage + \context Lyrics = Histo \lyricsto Histogram \Chart + >> + \layout { + \context { + \Lyrics + \override LyricSpace #'minimum-distance = #0.0 + } + } + \header { + piece = \markup \column { + \fontsize #-1 \underline "Pitch usage in:" + "Willy Hess (1906-1997): Concerto for basset horn and orchestra, op.116, 2nd movement" + \fontsize #-1 "score and parts by Amadeus Verlag, Winterthur, 1988" + } + } +} address@hidden lilypond + +You will often find transposing instructions which move the octavation +from the @i{high bass clef} to the @i{instrument transposition} to achieve +the same result, e.g. @i{"whenever the bass clef is used you have to alter +the instrument transposition one octave up."} + address@hidden address@hidden clef}, @ref{bass clef}. + + @node homophony @section homophony ES: homofonía, I: omofonia,