Re: overloaded example for dampened notes

[Eluze]

Colin Hall-3 wrote
> On Sun, Dec 23, 2012 at 12:34:56PM +0100, Eluze wrote:
>> 
>> Am 23.12.2012 10:45, schrieb Federico Bruni:
>> >
>> >IMO the first two chords are very difficult, almost impossible,
>> >If you write this:
>> >
>> >< a\3 \deadNote cis\2 a'\1 >4
>> >< b\3 \deadNote dis\2 b'\1 >
>> >< c\3 \deadNote e\2 c'\1 >
>> >
>> >you can use the index finger of left hand to mute the second string
>> >
>> 
>> I wonder how: you need a barring on the 2nd fret and the 2nd string
>> should be dampened (this often does not sound when pupils try to
>> play their first barrings - but you would like to hear that the
>> dampened note is stroken).
>> 
>> is there an example from classical or modern guitar scores where you
>> have simultaneous sounding and dampened notes?
> 
> I've created a tracker for this documentation enhancement here:
> 
> http://code.google.com/p/lilypond/issues/detail?id=3064

… and it has already been declared as invalid - let me try to summarize what
I don't like with this example:

(a) the three chords are nearly not playable
(b) the dampened notes (c-d-e) between two sounding notes are ridiculous
(c) the string numbers should only be set once (if at all)
(d) the placement of the number for the 3rd string below the staff is quite
unusual

I've already asked above for a real example from guitar literature - if
there's none I don't think LP should invent such things; if there are, one
of them could be used in the doc (if it's suitable and not copyrighted)

Eluze








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