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Re: overloaded example for dampened notes
From: |
Colin Hall |
Subject: |
Re: overloaded example for dampened notes |
Date: |
Wed, 26 Dec 2012 01:33:41 +0000 |
User-agent: |
Mutt/1.5.21 (2010-09-15) |
On Tue, Dec 25, 2012 at 12:15:47PM -0800, Eluze wrote:
> Federico Bruni-5 wrote
> > Il 25/12/2012 11:25, Eluze ha scritto:
> >> I've already asked above for a real example from guitar literature - if
> >> there's none I don't think LP should invent such things; if there are,
> >> one
> >> of them could be used in the doc (if it's suitable and not copyrighted)
> >
> > Octave chords, as Marc wrote in the tracker.
> >
> > Find attached a revised example, including the diff.
> > What do you think about it?
>
> ok, I was referring to "classical" guitar where often /muted/ or /dampened/
> notes are written with the the cross note head - the technique to play it is
> palm muting which obviously is notated differently in LP.
>
> another type where cross head notes are used is the /tambora/ where you hit
> the strings near or on the bridge.
>
> so I assume we were referring to different things - sorry if I trod on
> somebody's foot.
Is the original bug report still valid, Eluze?
Cheers,
Colin.
--
Colin Hall
- overloaded example for dampened notes, Eluze, 2012/12/22
- Re: overloaded example for dampened notes, Federico Bruni, 2012/12/23
- Re: overloaded example for dampened notes, Eluze, 2012/12/23
- Re: overloaded example for dampened notes, Colin Hall, 2012/12/25
- Re: overloaded example for dampened notes, Eluze, 2012/12/25
- Re: overloaded example for dampened notes, Federico Bruni, 2012/12/25
- Re: overloaded example for dampened notes, Eluze, 2012/12/25
- Re: overloaded example for dampened notes,
Colin Hall <=
- Re: overloaded example for dampened notes, Eluze, 2012/12/26
- Re: overloaded example for dampened notes, Eluze, 2012/12/27