[POLICY] Separating topics (was: NR 2.1.1: Lyric Tie and other languages)

[Simon Albrecht]

You hijacked my thread! :-)
Seriously, please start a new thread (it’s not that complicated: copy 
and paste the address or edit the subject line) if you start a new 
topic. If it’s related to the existent thread, you might also use the 
(was) method, as I did here.
Rationale: it’s extremely useful to automatically group messages 
according to topics, be it in an archive web page or in an e-mail software.

Thank you,
Simon

Am 06.05.2015 um 11:46 schrieb Arttu Punkkinen:
> % Default behaviour of stopping hairpins at bar line
> % looks rather bad if time or key changes between
> %
> % Couldn't find any reference on the Gould book, but
> % I think it is rather ugly. The property of course is simple
> % to adjust, so it is not that large a problem.
> %
> % The question is that does this always look ugly, and can the ugliness be
> easily predicted?
> % What do you think?
>
> \version "2.19.18"
> {
> c'1 \<
> c' \f
> \bar "||"
> c'1 \<
> \time 2/4
> c'2 \f
> \bar "||"
> c' \<
> \key g \major
> c' \f
> \bar "||"
> c' \<
> \key des \major
> \time 16/8
> c' \f
> }
>
> 2015-05-06 10:06 GMT+03:00 James Lowe <address@hidden>:
>
> > On 06/05/15 00:01, Simon Albrecht wrote:
> > > Hello,
> > >
> > > <
> > http://lilypond.org/doc/v2.18/Documentation/notation/common-notation-for-vocal-music#multiple-syllables-to-one-note
> > > has an example covering the use of LyricTie with Italian text. Using the
> > > same feature with German text (and probably other languages too), or
> > > more accurately, with multiple syllables of the same word, requires
> > > overriding word-space, so I suggest to add the following after the
> > > current example (i.e. after line 611/12 in vocal.itely, unless I’m
> > > mistaken):
> > >
> > > "
> > > If the syllables belong to one word, it is necessary to override
> > > word space.
> > >
> > > @lilypond[quote,ragged-right,verbatim,relative=2]
> > > <<
> > >    {
> > >      \cadenzaOn
> > >      a4 a g c b8[( a]) b4 a2 \breathe
> > >      \bar "" \break
> > >      a4 c d4. c8 d4 e c2
> > >    }
> > >    \addlyrics {
> > >      Er ging aus der Kam -- mer sein,
> > >      dem
> > >      \markup \override #'(word-space . 0)
> > >      \tied-lyric #"kö~nig" -- li -- chen
> > >      Saal so rein,
> > >    }
> > > @end lilypond
> > > "
> > >
> > > Best regards, Simon
> > >
> > > _______________________________________________
> > > bug-lilypond mailing list
> > > address@hidden
> > > https://lists.gnu.org/mailman/listinfo/bug-lilypond
> >
> > Thanks Simon, is there any reason
> >
> > 1. We require the \cadenzaOn (for the sake of simplifying the example as
> > much as possible in the doc
> >
> > 2. Is it *always* necessary to override the word space in the case of
> > when syllables belong to one word or is this
> >
> > i. a specific type of case
> > ii, are there any other ways to do this without using an '\override'
> > (again for the sake of a more complete explanation and perhaps
> > additional example)
> >
> > Regards
> >
> > James
> >
> > _______________________________________________
> > bug-lilypond mailing list
> > address@hidden
> > https://lists.gnu.org/mailman/listinfo/bug-lilypond
> >
> >
> >
> > _______________________________________________
> > bug-lilypond mailing list
> > address@hidden
> > https://lists.gnu.org/mailman/listinfo/bug-lilypond