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Fwd: Re: Re: The Stem of Longa notes is short when Baroque Notehead styl


From: Simon Albrecht
Subject: Fwd: Re: Re: The Stem of Longa notes is short when Baroque Notehead style is used
Date: Thu, 31 Jan 2019 01:10:17 +0100

Again, Imre, please do not send messages to me personally. It has to go to the list.

Best, Simon



-------- Forwarded Message --------
Subject: Re: Re: The Stem of Longa notes is short when Baroque Notehead style is used
Date:   Thu, 31 Jan 2019 00:57:28 +0100
From:   Pothárn Imre <address@hidden>
To:     Simon Albrecht <address@hidden>



Hello, I was wrong about Finale, it does not have a Longa note. (I
used a breve note in 4/4 time).
Since this is a rather rare note - it appears as the final note in
Renaissance music, within the music it could be used only if the
editor of the music uses the Mensurtrich notation, otherwise, it is
broken up into two breves.
But I can send you old prints showing Longas. I send you prints from
almost all over Europe, Italy, Germany, France and the Netherlands.
The final note invariably is a longa with a long stem.


Simon Albrecht <address@hidden> ezt írta (időpont: 2019. jan.
30., Sze, 11:38):
That sounds like a valid enhancement request, but you should back it up with 
evidence (longs glyphs from other music fonts, or old prints/manuscripts). The 
stem wasn't made that short by accident – it's designer had a reason for that 
as well.

Best, Simon

On 30.01.2019 - 03:53, Pothárn Imre wrote:


Well, I suppose it's useless to try to argue, but that glyph might be
supposed to be like that, but it is completely useless. I am posting a
lot of Renaissance music on CPDL using the original note values. The
final note is invariably a longa, which I have always substituted with
a breve because of Lilypond's longa looks so bad with its short stem.
In Renaissance music (i.e. everywhere where this kind of note-head is
used as longa) the stem of the longa is as long as all the other
stems. So this short stem is clearly wrong. But I since I can't force
you to draw a proper longa, I must resign that I cannot use longa in
transcriptions of Renaissance music in the future, either, since
apparently you do not care. (And I think it's also useless to remind
you that other engraving programs - notably Finale - have a proper
longa, which I therefore used as a Finale user before switching to
Lilypond.)

Mit freundlichen Grüßen
Imre

Simon Albrecht <address@hidden> ezt írta (időpont: 2019. jan.
29., K, 9:57):
On 28.01.19 23:57, Pothárn Imre wrote:
%% The stem length of the longa is very short when Baroque NoteHead style is
used.


That’s because it’s not technically a stem, but part of the notehead
glyph. It’s supposed to be like that.

Best, Simon



Attachment: Longa - Attaignant 1540.pdf
Description: Adobe PDF document

Attachment: Longa - Berg 1604.pdf
Description: Adobe PDF document

Attachment: Longa - Dorico 1554.pdf
Description: Adobe PDF document

Attachment: Longa - Gardano 1555.pdf
Description: Adobe PDF document

Attachment: Longa - LeRoy et Ballard 1570.pdf
Description: Adobe PDF document

Attachment: Longa - Petrucci 1504.pdf
Description: Adobe PDF document

Attachment: Longa - Plantin 1578.pdf
Description: Adobe PDF document

Attachment: Longa - Scotto 1539.pdf
Description: Adobe PDF document


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