[Top][All Lists]
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
Re: Rehearsal marks and linebreaks
From: |
Mats Bengtsson |
Subject: |
Re: Rehearsal marks and linebreaks |
Date: |
Thu, 14 Jun 2001 16:21:06 +0200 |
Did you read the on-line FAQ entitled "How do I get a
fermata on a barline"? I think it gives an answer to
your request.
/Mats
> Hi folks,
>
> I'm sorry to say that I have to nag again. This time it's the rehearsal marks,
> in particular the segno and coda signs.
>
> If there is a linebreak at the position of the segno or coda sign, you should
> have a choice if the sign is placed at the end of the upper line or the
> beginning of the next line (because the first coda, the "jump-down signal",
> should be at the end of the line, as well as the 2nd segno ("jump-up"). The
> 2nd
> coda and 1st segno signs ("jump-to-here") get placed correctly at the
> beginning
> of their respective lines.
>
> I hope I expressed myself well, by first and second sign I mean their sequence
> of occurrence in the music text read top-to-bottom.
>
> Best regards,
>
> Amy