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Re: hairpin cresc. and decresc. do not line up.


From: Mats Bengtsson
Subject: Re: hairpin cresc. and decresc. do not line up.
Date: Tue, 22 Mar 2005 12:01:03 +0100
User-agent: Mozilla Thunderbird 1.0 (X11/20041206)

If you end the crescendo at the same note as you start the diminuendo,
then LilyPond will make sure that they line up. I don't understand why
you use the extra line of spacing notes in your example, you could just
as well insert the dynamic indications directly at the notes.

However, if you want the change between crescendo and diminuendo to be
typeset just before the middle of the bar, you could do
        <<
        { \stemNeutral gis( e') e'-. e'-. e'-. e'-. e'-. e'-. | }
        { s4..\< s16 \!\> s4. s8\! }
        >>

for example.

   /Mats

Stephen wrote:
In the Beethoven Horn Sonata Op. 17 Rondo., horn part arranged for trumpet, I am having trouble with the dynamics overwiting each other and not lining up with each other. In the example below, my main concern is that the hairpin decrescendo under the stacatto e eighths does not line up with the crescendo hairpin preceeding it under the g-sharp eighth:

\version "2.4.3"

\paper {
 #(set-paper-size "a5")
 linewidth = 60\staffspace
 indent = 0\mm
}

\transpose c c'{
#(set-accidental-style 'modern-cautionary)
\partial 2
\clef treble
\key c \major
\time 2/2
\set Staff.midiInstrument = "trumpet"
\set Score.skipBars = ##t

g'4-\markup { \dynamic "mf" \italic \bold \bigger "espress." } g' \noBreak \mark 6 g'2 f'8( e' d' cis') |
%79
\set Score.currentBarNumber = #79
\acciaccatura e'8 d'( cis' d' e') f'4-.(\< f'-.)\! | f'4.->(\> e'8) d'( c' b a)\! |
<<
{ \stemNeutral gis( e') e'-. e'-. e'-. e'-. e'-. e'-. | }
{ s8\< s s s\! s\> s s s\! }
 >>
e'2\< d'8( c' b a)\! | f'2.\sf \dim d'4( |
e') e'-.( e'-. e'-.) | \enddim a r r2 |
}

Stephen
------------------------------------------------------------------------


------------------------------------------------------------------------

\version "2.4.3"

\paper {
  #(set-paper-size "a5")
  linewidth = 60\staffspace
  indent = 0\mm
}

\transpose c c'{
        #(set-accidental-style 'modern-cautionary)
        \partial 2
        \clef treble
        \key c \major
        \time 2/2
        \set Staff.midiInstrument = "trumpet"
        \set Score.skipBars = ##t

        g'4-\markup { \dynamic "mf" \italic \bold \bigger "espress." } g' 
\noBreak \mark 6 g'2 f'8( e' d' cis') |
        %79
        \set Score.currentBarNumber = #79
\acciaccatura e'8 d'( cis' d' e') f'4-.(\< f'-.)\! | f'4.->(\> e'8) d'( c' b a)\! | <<
        { \stemNeutral gis( e') e'-. e'-. e'-. e'-. e'-. e'-. | }
        { s8\< s s s\! s\> s s s\! }
        >>
e'2\< d'8( c' b a)\! | f'2.\sf \dim d'4( | e') e'-.( e'-. e'-.) | \enddim a r r2 | }


------------------------------------------------------------------------

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--
=============================================
        Mats Bengtsson
        Signal Processing
        Signals, Sensors and Systems
        Royal Institute of Technology
        SE-100 44  STOCKHOLM
        Sweden
        Phone: (+46) 8 790 8463                         
        Fax:   (+46) 8 790 7260
        Email: address@hidden
        WWW: http://www.s3.kth.se/~mabe
=============================================




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