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Re: Double-flats used by Lilypond after transpose


From: Mats Bengtsson
Subject: Re: Double-flats used by Lilypond after transpose
Date: Sun, 05 Aug 2007 23:10:02 +0200
User-agent: Mozilla/5.0 (X11; U; Linux i686; en-US; rv:1.7.8) Gecko/20061113 Debian/1.7.8-1sarge8

Mark Knoop wrote:

Toine Schreurs wrote:
The transposition of the instrument does not depend on the key of the
music. On a B-flat sax a written C sounds as a B-flat. That's all
the information you need.

So use \transpose bf c' {the music}

And indeed, key E-major goes to F-sharp-major. The original
transposition from E-major to G-flat-major implies an A-sharp
saxophone.

At the root of this is the possibility that there should/could be two
modes of transpose.

1) "Tonal" transpose: which would use double{flats,sharps} when
appropriate. e.g. (as in this case) a G in E major is a flattened third,
so when transposed to G-flat major *should* become a B-doubleflat.

2) "Atonal" transpose: which would favour the simplest spelling. e.g. G
transposed up a tone would *always* become A.

I hope you have realized that a previous response in this
thread already has pointed to

http://lsr.dsi.unimi.it/LSR/Item?id=136

which provides the second of your alternatives.

  /Mats





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