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Re: Absolute vs. relative pitches
From: |
John Mandereau |
Subject: |
Re: Absolute vs. relative pitches |
Date: |
Wed, 13 Aug 2008 18:53:10 +0200 |
2008/8/13 Trevor Daniels <address@hidden>:
> This is a neat technique if the notes lie largely
> in the same octave, but \transpose is not introduced
> in the Learning Manual, so it can't be used there
> without adding a fairly detailed section explaining
> it first.
>
> Perhaps it could be mentioned in the Notation Reference
> though.
>
> The Learning Manual is for learning users. They will
> usually begin with a simple melody and relative mode
> -is- easier for this, once you realize all you have to
> do is count staff spaces.
Counting staff spaces costs much brain power in melodies with big
intervals (i.e. intervals bigger than a third).
IMNSHO we *must* discuss absolute vs. relative pitches with usage
cases in the Learning Manual. This is probably too early to do this
in chapter 3 "Fundamental concepts" (although I intend to prepare the
mind of the reader with a correction I added recently ;-), but this
could be done in chapter 5 "Working with LilyPond files". Trevor, I
put this on my TODO for after 2.12, unless you have any objection.
Cheers,
John