Fwd: Help with positioning coda glyph

[Tim McNamara]

And of course I replied only to myself, since the reply-to header is  
not set to the mailing list for some reason.

Begin forwarded message:

> From: Tim McNamara <address@hidden>
> Date: September 16, 2009 9:17:03 AM CDT
> To: Tim McNamara <address@hidden>
> Subject: Re: Help with positioning coda glyph
>
>
> On Sep 16, 2009, at 8:45 AM, Tim McNamara wrote:
>
> > I am having problems getting LilyPond to properly position coda  
> > glyphs.  I've included the code to see if others reproduce it.   
> > The first coda glyph should be at the end of bar 28 but LilyPond  
> > insists on putting it at the end of bar 29.  The /break command  
> > seems to be involved (is this a bug, BTW?).  Also, LilyPond won't  
> > put the coda glyph at the beginning of bar 31.  At least not using  
> > the code provided in the documentation.
>
> To follow up on my own post, I was able to get the segno and the  
> coda glyph at bar 31 in the correct places by moving them ahead of  
> the first notes in the respective bars.  The way the code is  
> presented in the documentation regarding positioning of glyphs  
> isn't clear (at least to me) and we may want to clarify it (Section  
> 1.2.5 on page 74).
>
> I still can't get the coda which belongs at the end of bar 28 in  
> the right place.
>
> > \version "2.12.2"
> >
> > #(ly:set-option 'delete-intermediate-files #t)
> >
> > \paper {
> >     indent = 0.0
> >     ragged-last = ##f
> >
> > }
> >
> > \header {
> >   title = "Recycling Day"
> >   subtitle = "Concert Pitch"
> >   composer = "McNamara"
> >   meter = "Up-tempo Swing or Bebop"
> >   copyright = "Cunamara Music"
> > }
> >
> > harmonies = \chordmode {
> >
> > % 1
> > c1:6
> > b1:7
> > bes1:6
> > a1:7
> >
> > % 5
> > a1:m7
> > d1:7
> > g1:maj7
> > g1:maj7
> >
> > % 9
> > g1:m7
> > c1:7
> > f1:maj7
> > a1:7
> >
> > % 13
> > d1:m7
> > g1:7
> > c1:6
> > b1:7
> >
> > % 17
> > bes1:6
> > a1:7
> > a1:m7
> > d1:7
> >
> > % 21
> > g1:maj7
> > g1:maj7
> > g1:m7
> > c1:7
> >
> > % 25
> > f1:maj7
> > a1:7
> > d1:m7
> > g1:7
> >
> > % 29
> > c1:maj7
> > d2:m7 g2:7
> > c1:6
> > b1:7
> >
> > % 33
> > bes1:6
> > a1:7
> > aes1:6
> > g1:7
> >
> > % 37
> > c1:6
> >
> > }
> >
> > melody = \relative c' {
> > \override Staff.TimeSignature #'style = #'()
> > \time 4/4
> > \clef treble
> > \key c \major
> >
> > \bar "|:"
> >
> > % 1
> > g'2 \mark \markup { \musicglyph #"scripts.segno" }  \times 2/3   
> > {g4 a4 g4 }
> > ees1
> > f2 \times 2/3 { f4 g4 f4 }
> > cis1 \break
> >
> > % 5
> > e2 \times 2/3 { e4 f4 e4 }
> > d2. c8 b8
> > g'1~
> > g1 \break
> >
> > % 9
> > \times 2/3 { a4 bes4 a4 } bes4 a4
> > c8 c8 c2 r4
> > \times 2/3 { a4 bes4 a4 } bes4 a4
> > cis,2. \times 2/3 { e8 f8 g8 } \break
> >
> > % 13
> > \times 2/3 {a4 g4 a4 } a4 g4
> > c2. e,4
> > g2 \times 2/3  {g4 a4 g4 }
> > ees1 \break
> >
> > % 17
> > f2 \times 2/3 { f4 g4 f4 }
> > cis1
> > e2 \times 2/3 { e4 f4 e4 }
> > d2. c8 b8 \break
> >
> > % 21
> > g'1~
> > g1
> > \times 2/3 { a4 bes4 a4 } bes4 a4
> > c8 c8 c2 r4 \break
> >
> > % 25
> > \times 2/3 { a4 bes4 a4 } bes4 a4
> > cis,2. \times 2/3 { e8 f8 g8 }
> > \times 2/3 {a4 g4 a4 } a4 g4
> > c2. e,4\mark \markup { \musicglyph #"scripts.coda" }   \break
> >
> > % 29
> > c1
> > r1_\markup{\italic"Last Time D.C. al coda"} \bar ":|"
> > \times 2/3 { g'4 \mark \markup { \musicglyph #"scripts.coda" } a4  
> > g4 } e2
> > \times 2/3 {fis4 g4 fis4 } dis2 \break
> >
> > % 33
> > \times 2/3 { f4 g4 f4 } d2
> > \times 2/3 { e4 f4 e4 } cis2
> > \times 2/3 { ees4 f4 ees4 } c2
> > \times 2/3 { d4 e4 d4 } b4 g'8 f8
> >
> > % 37
> >  e8 d8 c'4 r2
> >
> > }
> >
> > \score {
> >   <<
> >
> >     \new ChordNames {
> >       \set chordChanges = ##t
> >       \harmonies
> >     }
> >     \new Staff \melody
> >   >>
> >
> > }
> >
> >
> >
> > _______________________________________________
> > lilypond-user mailing list
> > address@hidden
> > http://lists.gnu.org/mailman/listinfo/lilypond-user