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[Fwd: To say good bye]


From: Pierre RUEL
Subject: [Fwd: To say good bye]
Date: Fri, 20 Nov 2009 17:50:58 +0100
User-agent: Thunderbird 2.0.0.23 (Windows/20090812)



-------- Message original --------
Sujet : To say good bye
Date : Fri, 20 Nov 2009 12:29:27 +0100
De : Pierre RUEL <address@hidden>
Pour : Hans Aberg <address@hidden>
Références : <address@hidden> <address@hidden> <address@hidden> <address@hidden>

Bonjour,
J'ai essayé deux fois de me désinscrire de la liste anglophone mais sans
succès/I tried twice to unsubscribe from the English mailing list but
without any success.
je suis inscrit à la liste francophone et cela me suffit/ I suscribed
with the French mailing list and it is enough for my needs.
Please tell me how to stop receiving messages from the english list.
Thank you in advance
Friendly yours
Pierre





Hans Aberg a écrit :
On 10 Nov 2009, at 07:25, David Kastrup wrote:

BTW, I have found a strange behaviour of "modern" accidentals rule:
LilyPond considers volta alternatives as "previous" measure. Is this
correct? (Note the natural sign at the 2nd and 3rd alternatives, not
related to the previous _played_ measure.)

I do not know.  I am not an expert on the different accidental rules,
nor on the standard engraving practices for accidentals in
alternatives.  But I would expect that the last measure of the repeat
should serve as the previous measure for each of the alternatives.

And it should serve as the previous measure for starting ties and slurs
and key and meter changes.  And the first measure of the repeat should
serve as the following measure for unfinished ties and slurs for all of
the alternatives except the last one (which means that tie and slur
directions should match and the tie/slur should extend to the bar line
rather than trigger an error).

One way to express it, is that it should be fit together when expanded: repeats is just a shorthand for the expanded version.

When writing down some Balkan music, I have found it might be suitable with alternatives in other positions, like the beginning and the middle. One use is to indicate variations in the performance.

  Hans




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