[Top][All Lists]
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
two problems regarding harp part
From: |
胡海鹏 - Hu Haipeng |
Subject: |
two problems regarding harp part |
Date: |
Thu, 19 Aug 2010 08:33:50 +0800 (CST) |
Hello,
I reported this problem earlier, and stopped when my teacher said nothing was wrong on the score. But with 2.13.30" the portion has more such reports. Here's the music. When I comment out music before rehearsal 6 (sorry, mark line not included, see the comment line), no problem is found:
programming error: no note heads for the line spanner on neighbor line? Confused.
continuing, cross fingers
And also, couldn't fit music on page.
\version "2.13.30"
str = \change Staff = rh
stl = \change Staff = lh
headsOn = \sequential {
\override Dots #'transparent = ##t
\override Stem #'transparent = ##t
\override Beam #'transparent = ##t
}
headsOff = \sequential {
\revert Dots #'transparent
\revert Stem #'transparent
\revert Beam #'transparent
}
harprh = \relative c' {
\clef treble \key c \major \time 4/4
\showStaffSwitch
% introduction
% initial, bars 1-6
R1 | \time 5/4 R1*5/4 |
\time 4/4 R1 |
\time 5/4 R1*5/4*3 |
% part 1
% rehearsal 1, bars 7-20
\time 9/8 R1*9/8*3 | \time 5/4 R1*5/4*5 |
\time 9/8 R1*9/8*3 | \time 5/4 R1*5/4 | R1*5/4 | R1*5/4^\fermataMarkup \bar "||"
% rehearsal 2, bars 21-37
R1*5/4*8 |
R1*5/4_\markup { \harp-pedal #"^^-|-^--" } |
s1*5/4 |
R1*5/4*7_\markup { \harp-pedal #"vv-|-vv-" } |
% rehearsal 3, bars 38-51
\time 3/4
R2.*7 |
r4 r8 \autoBeamOff b32[\mf\< cis dis e fis gis a32*6]\glissando |
\time 5/4
\autoBeamOn dis'4\!\f r r r2 |
R1*5/4*5_\markup { \harp-pedal #"---|^--^" } |
% rehearsal 4, bars 52-65
\time 9/8
R1*9/8*11 |
\time 5/4
<g,, b,>2.\laissezVibrer r2 |
R1*5/4^\markup { "B" \smaller \flat } | R1*5/4^\fermataMarkup \bar "||"
% part 2
% rehearsal 5, bars 66-82
\key ees \major \time 4/4
<g ees c bes>1\arpeggio | R1 |
<f c aes>\arpeggio |
<aes ees c>\arpeggio |
<g f ees>\arpeggio |
<aes f ees c>\arpeggio |
<a f ees c>\arpeggio |
<bes f d>\arpeggio |
r4 bes, <ees bes> <f bes,> |
r <g bes,> <f bes,> <ees bes> |
r c <ees c> <f c> |
r <f aes,> <ees aes,> <des aes> |
r <f aes,> <ees aes,> <des aes> |
r f <bes f> <g ees> |
r <f aes,> r <f aes,> |
r <aes des, aes> <f des aes>2 |
r4 <f ees> <bes d,>2 |
% rehearsal 6, bars 83-108
s1*6 |
s2 <c a e>4\arpeggio r4 |
s1*8 |
<bes aes f d>2\arpeggio r_\markup { \harp-pedal #"--^|^--^" } |
r \stl \headsOn bes,,8\glissando \str f''\glissando \stl bes,4\glissando |
\str \headsOff bes'''4 r r2 |
R1*8_\markup { \harp-pedal #"---|----" } |
% rehearsal 7, bars 109-120
R1*3 |
g,,4\p^\flageolet r r2 |
R1 | R1^\fermataMarkup |
R1*3 |
g'4^\flageolet r r2 |
r2 \times 2/3 { g8-> g,4 } r4 |
\times 2/3 { g'8->\> g,4 } r4 \times 2/3 { g'8->\!\pp g,4 } r4\fermata \bar "||"
% part 3
% rehearsal 8, bars 121-130
\key c \major \time 3/4
R2.*4 |
\time 4/4
R1 | R1 |
\time 3/4
R2. | R2. |
\time 5/4
R1*5/4 | R1*5/4 |
% rehearsal 9, bars 131-146
\time 9/8 R1*9/8*3 |
\time 5/4 R1*5/4*5 |
\time 9/8 R1*9/8*3 |
\time 5/4 R1*5/4*5 |
% rehearsal 10, bars 147-167
R1*5/4*21 \bar "||"
% coda
% rehearsal 11, bars 168-188
\time 3/4 R2.*21 |
% rehearsal 12, bars 189-202
R2.*6 |
\time 4/4
R1*8 |
% rehearsal 13, bars 203-238
\time 2/2
R1 |
\stl \headsOn g,,4\glissando \str d''\glissando \stl g,2\glissando |
\str \headsOff g'''4 r r2 | R1*32 |
r2 \stl g,,,,\glissando |
% finale
% rehearsal 14, bars 239-248
\time 4/4
\str g''''4 r r2 |
R1*3 |
\time 3/4
R2.*4 |
\time 4/4
R1 | R1 \bar "|."
}
harplh = \relative c {
\clef bass \key c \major
\showStaffSwitch
% introduction
% initial, bars 1-6
R1 | R1*5/4 | R1 | R1*5/4*3 |
% part 1
% rehearsal 1, bars 7-20
R1*9/8*3 | R1*5/4*5 |
R1*9/8*3 | R1*5/4 | R1*5/4 | R1*5/4^\fermataMarkup \bar "||"
% rehearsal 2, bars 21-37
R1*5/4*9 |
a32\mf\<^"gliss." b ces des e fes g a32*13\glissando \str \headsOn b'''8*4\!\>\glissando \stl a,,,,8\! \headsOff |
R1*5/4*7 |
% rehearsal 3, bars 38-51
R2.*8 | R1*5/4*6 |
% rehearsal 4, bars 52-65
R1*9/8*11 |
<g d'>2.\laissezVibrer r2 |
R1*5/4 | R1*5/4^\fermataMarkup \bar "||"
% part 2
% rehearsal 5, bars 66-82
\key ees \major
<ees bes' ees g>1\arpeggio | R1 |
<f c' f>\arpeggio |
<aes ees' aes>\arpeggio |
<c g'>\arpeggio |
<aes ees' aes>\arpeggio |
<f c' f>\arpeggio |
<bes f' bes>2.\arpeggio <bes, bes'>4 |
ees8 bes' g' bes, g' bes, g' bes, |
ees, bes' g' bes, g' bes, g' bes, |
f c' aes' c, aes' c, aes' c, |
des, aes' f' aes, f' aes, f' aes, |
f des' f des f des f des |
c, g'' c g c g c g |
f, c' f c ees, c' f c |
des, aes' f' aes, f'2 |
bes,8 f' bes f bes f aes, f' |
% rehearsal 6, bars 83-108
\set tupletSpannerDuration = #(ly:make-moment 1 4)
\times 2/3 { ges,([ des' ges] \str bes[ des ees] bes'[ ges ees] \stl des[ bes ges)] } |
\times 2/3 { f,([ des' f] \str bes[ des f] des'[ bes f] \stl bes,[ f bes,)] } |
\times 2/3 { a([ e' a] \str cis[ e fis] cis'[ a fis] \stl e[ cis a)] } |
\times 2/3 { gis,([ e' gis] \str cis[ e gis] e'[ cis gis] \stl e[ b e,)] } |
\times 2/3 { a,([ e' a] \str c[ e a] c[ a e] \stl c[ a e)] } |
\times 2/3 { g,([ e' a] \str c[ e a] c[ a e] \stl c[ a e)] } |
\times 2/3 { fis,([ e' a] \str c[ e a)] } \stl <fis, c'>4\arpeggio f, |
\times 2/3 { e8([ b' e] \str a[ b e)] \stl e,([ b' e] \str gis[ b e)] } |
\stl \times 2/3 { g,,,([ d' g] \str b[ d e] b'[ g e] \stl d[ b g)] } |
\times 2/3 { fis,([ d' fis] \str ces'[ d fis] d'[ ces fis,] \stl ces[ fis, ces)] } |
\times 2/3 { bes([ f' bes] \str d[ f g] d'[ bes g] \stl f[ d bes)] } |
\times 2/3 { a,([ f' a] \str d[ f a] f'[ d a] \stl f[ c f,)] } |
\times 2/3 { bes,([ f' bes] \str des[ f bes)] \stl a,,([ f' bes] \str des[ f bes)] } |
\stl \times 2/3 { aes,,([ f' bes] \str des[ f bes)] \stl g,,([ f' bes] \str des[ f bes)] } |
\stl \times 2/3 { ges,,([ f' bes] \str des[ f bes)] \stl f,,([ des' bes'] \str des[ f bes)] } |
\stl <e, aes bes>2\arpeggio r2 |
r2 s | R1*9 |
% rehearsal 7, bars 109-120
R1*5 | R1^\fermataMarkup |
R1*5 | R1^\fermataMarkup \bar "||"
% part 3
% rehearsal 8, bars 121-130
\key c \major
R2.*4 | R1 | R1 |
R2. | R2. | R1*5/4 | R1*5/4 |
% rehearsal 9, bars 131-146
R1*9/8*3 | R1*5/4*5 |
R1*9/8*3 | R1*5/4*5 |
% rehearsal 10, bars 147-167
R1*5/4*21 \bar "||"
% coda
% rehearsal 11, bars 168-188
R2.*21 |
% rehearsal 12, bars 189-202
R2.*6 | R1*8 |
% rehearsal 13, bars 203-238
R1 | s1 |
R1*33 | r2 s |
% finale
% rehearsal 14, bars 239-248
R1*4 | R2.*4 | R1 | R1 \bar "|."
}
dynamics = {
% introduction
% initial, bars 1-6
s1 | s1*5/4 | s1 | s1*5/4*3 |
% part 1
% rehearsal 1, bars 7-20
s1*9/8*3 | s1*5/4*5 |
s1*9/8*3 | s1*5/4*3 \bar "||"
% rehearsal 2, bars 21-37
s1*5/4*17 |
% rehearsal 3, bars 38-51
s2.*8 | s1*5/4*6 |
% rehearsal 4, bars 52-65
s1*9/8*11 | s1*5/4*3\p \bar "||"
% part 2
% rehearsal 5, bars 66-82
s1*14\mp | s1\< | s\!\mf\> | s2. s4\!\mp |
% rehearsal 6, bars 83-108
s1*2 | s\< | s\!\mf\< | s1\!\f\> | s2 s\!\mp |
s1*2 | s\< | s\!\mf\< | s2 s\!\> | s1\!\mp | s2 s\f |
s1*9 |
% rehearsal 7, bars 109-120
s1*12 \bar "||"
% part 3
% rehearsal 8, bars 121-130
s2.*4 | s1*2 | s2.*2 | s1*5/4*2 |
% rehearsal 9, bars 131-146
s1*9/8*3 | s1*5/4*5 |
s1*9/8*3 | s1*5/4*5 |
% rehearsal 10, bars 147-167
s1*5/4*21 \bar "||"
% coda
% rehearsal 11, bars 168-188
s2.*21 |
% rehearsal 12, bars 189-202
s2.*6 | s1*8 |
% rehearsal 13, bars 203-238
s1 | s1\mp\< | s1*33\!\ff | s2 s\f |
% finale
% rehearsal 14, bars 239-248
s1*4 | s2.*4 | s1*2 \bar "|."
}
\score {
\new PianoStaff = "harp" <<
\set PianoStaff.instrumentName = "Harp"
\set PianoStaff.shortInstrumentName = "Hrp."
\set PianoStaff.connectArpeggios = ##t
\new Staff = "rh" { \keepWithTag #'score \harprh }
\new Dynamics { \dynamics }
\new Staff = "lh" { \keepWithTag #'score \harplh }
>>
\layout { }
}
您想拥有和网易免费邮箱一样强大的软件吗?
- two problems regarding harp part,
胡海鹏 - Hu Haipeng <=