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Re: guitarist: how write chord names like Gadd5
From: |
Tim McNamara |
Subject: |
Re: guitarist: how write chord names like Gadd5 |
Date: |
Thu, 3 Feb 2011 17:50:12 -0600 |
On Feb 3, 2011, at 5:01 PM, Jan Warchoł wrote:
> 2011/2/1 Tim McNamara <address@hidden>
>>
>> Jazz guitarist and Lilypond user here. I would call that a G(no 3rd)
>
> I'd say that it's a Gsus chord. It means basically the same: a chord
> with no third.
> Usually the third is replaced by a fourth or a second:
> Gsus2 = <g a d>,
> Gsus4 = <g c d>,
The 3rd is replaced by either the major 2nd or the perfect 4th; that is part of
the definition of a sus chord which needs to specify which note is being added
in place of the 3rd.
> So to me it seems perfectly natural to write
> Gsus = <g d>.
But incorrect. <g d> is not a chord, it is a double stop.
> LilyPond accepts g:sus as an input, but prints G as the name of the
> chord, without "sus".
As it should, since the note replacing the 3rd should be specified. "Gsus" is
an incomplete chord name.
> 2011/2/3 David Raleigh Arnold <address@hidden>:
>> The whole idea of chord names is that one "G" is the same as
>> another. A few extensions have come in over the years, the most
>> important being the slash bass.
>
> So, because there is a need to distinguish between G and G/B (they
> sound quite different!),
> i'd say that there is a reason to distinguish between <g b d> and <g b d d'>.
> I'd even say that it would make sense to write explicit treble notes
> in superscript,
> for example C^E would mean <c e g e'>.
>
>> Either populate your score with diagrams or tab or write out what
>> you want. There is no need to mess with the regular chord names.
>> You will find that useless innovations which are doomed to
>> obsolescence are not appreciated, and even less appreciated if
>> they require explanation.
>
> ?
> At least on the guitar, Gadd5, G5, G12 are self-explanatory!
> In my opinion it's obvious that they mean: "add a fifth somewhere in
> the treble range".
Gadd5, G5 and G12 seem like nonsense to me aimed at accommodating rock "power
chords" which aren't really chords. I don't think it does any service to have
Lilypond perpetuate incorrect nomenclature.
If the user wants chord charts that show the explicit voicing desired, then
IMHO that voicing should be written out in proper chord form <g, b d g d' g'>
and Lilypond should place those notes in the diagram correctly. This is much
simpler than trying to make Lilypond guess what is meant by some non-standard
nomenclature like g1:add5. That way lies madness for the people writing the
Lilypond code base.
- Re: guitarist: how write chord names like Gadd5, (continued)
- Re: guitarist: how write chord names like Gadd5, Brett McCoy, 2011/02/01
- Re: guitarist: how write chord names like Gadd5, Patrick Schmidt, 2011/02/01
- Re: guitarist: how write chord names like Gadd5, Jürgen Ibelgaufts, 2011/02/01
- Re: guitarist: how write chord names like Gadd5, David Santamauro, 2011/02/01
- Re: guitarist: how write chord names like Gadd5, Jürgen Ibelgaufts, 2011/02/01
- Re: guitarist: how write chord names like Gadd5, David Santamauro, 2011/02/01
- Re: guitarist: how write chord names like Gadd5, Marc Mouries, 2011/02/01
- Re: guitarist: how write chord names like Gadd5, Tim McNamara, 2011/02/01
- Re: guitarist: how write chord names like Gadd5, Jürgen Ibelgaufts, 2011/02/01
- Re: guitarist: how write chord names like Gadd5, Jan Warchoł, 2011/02/03
- Re: guitarist: how write chord names like Gadd5,
Tim McNamara <=
Re: guitarist: how write chord names like Gadd5, Christ van Willegen, 2011/02/01
Re: guitarist: how write chord names like Gadd5, David Raleigh Arnold, 2011/02/02