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From: | Kale Good |
Subject: | Nesting \absolute in 2.16 (or alternative) for predefined bass line |
Date: | Fri, 02 Aug 2013 20:37:53 -0400 |
User-agent: | Mozilla/5.0 (X11; Linux x86_64; rv:17.0) Gecko/20130623 Thunderbird/17.0.7 |
Hello, I'm having a bit of a problem that seems like it could be resolved by nesting \absolute, but I'm not sure if 2.16 supports it (sure doesn't seem to, from my tests). I see its in the docs for 2.17, but I was wondering if there was an alternative in 2.16.2 . Here is what I'm trying to do. I've got a bass line that I'm reusing with different arpeggios, but when placed with certain arpeggios, it seems to be deriving its pitch from the previous note (which happens to be in the other voice, which is throwing everything off). Also, this are two of a series of right hand studies for classical guitar. I'd like to keep it structured this way so that I can comment on individual exercises. Thanks, Kale \version "2.16.2" rh = #rightHandFinger basslineOne = { \set strokeFingerOrientations = #'(down) { c,4\rh #1 e g c, | b d g b,} } melody = \relative c'' { % exercise 1 << \scaleDurations #'(2 . 3) { \set strokeFingerOrientations = #'(up) {c,8 c'\rh #2 e\rh #3 } {e, c' e} {g, c e} {c, c' e} {b, d' f} {d, d' f} {g, d' f} {b,, d' f} } \\ {\basslineOne} >> % exercise 2 << \scaleDurations #'(2 . 3) { \set strokeFingerOrientations = #'(up) {c g'\rh #3 e\rh #2 } {e c' g } {g e' c } {c, e' c } {b, g' d } {d d' g, } {g f' d } {b, f' d } } \\ { \transpose c c' {\basslineOne } } >> } \score { \melody \layout { } } \paper { } --
Kale Good: Guitar Instructor
phillyguitarlessons.com
address@hidden phone: (215)260-5383
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