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From: | Marc Hohl |
Subject: | Re: minor chords |
Date: | Mon, 17 Mar 2014 10:12:15 +0100 |
User-agent: | Mozilla/5.0 (X11; Linux x86_64; rv:24.0) Gecko/20100101 Thunderbird/24.3.0 |
Am 17.03.2014 01:45, schrieb Jim Long:
I understand the Cmi7, too, but when sketching some chords on paper during a Jazz session, a simple "-" is way faster to write than "mi" all the way. So it's rather a matter of personal taste IMHO. Just my 2 cents MarcWith great respect, I beg to add, Beware of "shortcuts" which are for the benefit of the writer. IMO, engraving decisions should be made for the benefit of the reader.
Yep, that's true. I was unclear in my answer above: the first "Real Book" was a collection of songs written by Steve Swallow. He used the "-" sign for the whole book AFAIK. After his collection got copied over and over again, most musicians got accustomed to this style. So I think it's a matter of habit. Speaking for myself, I'd prefer a C-7 over a Cmi7, and a C-Δ over Cmmaj7. But I can play both ;-) Marc
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