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Re: Nashville notation as chord symbols
From: |
Amelie Zapf |
Subject: |
Re: Nashville notation as chord symbols |
Date: |
Mon, 15 Jun 2015 15:34:30 +0200 |
User-agent: |
Mozilla/5.0 (X11; Linux x86_64; rv:31.0) Gecko/20100101 Thunderbird/31.7.0 |
Hi all,
the remaining problem of the Scheme function is: how to access the
current root of the key signature in the function definition. For even
if we explicitly state the root again in the definition, it would be
immensely problematic if the piece contained a key change. Since
Lilypond does have an internal representation of the current key
signature (it needs to, to place accidentals correctly), there must be a
way to access it from within a function.
Does anybody know how?
Regards,
Amy
--
Dr. Amelie Zapf (address@hidden)
Pianist, Bassist, Guitarist, Composer, Friedrich-Ebert-Str. 25, 14548
Caputh, Germany
http://www.ameliezapf.com/
PGP public key ID: 4E0A7F00
"When the power of love overcomes the love of power, the world will know
peace." - Jimi Hendrix
- Re: Nashville notation as chord symbols, Amelie Zapf, 2015/06/15
- Re: Nashville notation as chord symbols, Klaus Blum, 2015/06/15
- Re: Nashville notation as chord symbols, Amelie Zapf, 2015/06/15
- Re: Nashville notation as chord symbols, David Kastrup, 2015/06/15
- Re: Nashville notation as chord symbols, Amelie Zapf, 2015/06/15
- Re: Nashville notation as chord symbols,
Amelie Zapf <=
- Re: Nashville notation as chord symbols, Paul Morris, 2015/06/15
- Re: Nashville notation as chord symbols, David Kastrup, 2015/06/15
- Re: Nashville notation as chord symbols, Amelie Zapf, 2015/06/17
- Re: Nashville notation as chord symbols, Amelie Zapf, 2015/06/17
- Re: Nashville notation as chord symbols, David Nalesnik, 2015/06/17
- Re: Nashville notation as chord symbols, David Nalesnik, 2015/06/17
- Re: Nashville notation as chord symbols, Amelie Zapf, 2015/06/17
- Re: Nashville notation as chord symbols, Paul Morris, 2015/06/18
- Re: Nashville notation as chord symbols, David Kastrup, 2015/06/18
- Re: Nashville notation as chord symbols, Paul Morris, 2015/06/19