For my edification in learning more complicated lilypond coding
techniques, could one of you gurus post a sample of how to code the
attached measure. The complication, for me at least, is the fact that
the r8 should come AFTER the bass clef. With this code
\relative c' {\clef treble \time 2/4 \clef bass r8}
the initial treble clef disappears. Perhaps this behavior is the norm,
but I would like the r8 to appear after the mid measure bass clef, as
shown in the image. I'm sure it can be done. What say you.