Re: How to work with large orchestral1 projects

[Carl-Henrik Buschmann]

I found that it was 

\slashedGrace {b8}

that caused the whole double time signature thing. I can only assume it is a bug. I still need a acciaccatura though. Any thoughts?

Med vennlig hilsen,

Carl-Henrik Buschmann

Lektor

20. feb. 2016 kl. 22.02 skrev Carl-Henrik Buschmann <address@hidden>:

Hi guys,

I'm trying to learn how to use lilypond to typeset orchestral material. Handling large projects is fun but good documentation regarding this is hard to come by. I'm still a lilypond novice and my Google-Fu has let me down, I need help. 

I'm using my own orchestration which i engraved in Sibelius a while back.

This is my original sibelius score i.e.: the "ideal":

http://i.imgur.com/fIQJN8v.png

And this is my lilypond output so far:

http://i.imgur.com/g2OL258.png

2) This is the wierdest thing. Double up of time, clef and tempo, what is on earth have i done wrong?