Hello Gabriel-Marie,
Does ragged-*, described in section 4.3.2 Page breaking of the notation reference help you?
JM Le 23 juin 2016 à 00:02, Br. Gabriel-Marie | SSPX < address@hidden> a écrit :
In my music, I have the chorus
at the top and the verses following. Since my music is longer
than one page, it overflows to the next. So, since I'm using
two pages, I figured I would insert a \pagebreak so that the
chorus is on page 1 and the verses on page 2. This works fine,
but now my problem is that the space between staves is too far
and it looks funny - as if it were justified vertically.
So, instead of this:
xxxxx
xxxxx
xxxxx
it looks like:
xxxx
xxxx
xxxx
Here's my score:
\score{
<<
\new Staff { \chorus \pageBreak \verses }
\chorusLyrics
\firstVerse
\secondVerse
>>
\layout{}
}
Now, I've played with \override
VerticalAxisGroup.default-staff-staff-spacing, but nothing I try
there seems to have any effect.
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Today's Topics:
1. Re:Placement of Chorus for Hymn (BGM)
2. Re:how to get short broken ties (Werner LEMBERG)
3. drawing glissando line with (gliss) as text across line
(Ryan Michael)
4. Re:Ask about the typesetting of Lilypond (Wilbert Berendsen)
5. Re:drawing glissando line with (gliss) as text across line
(Thomas Morley)
6. Re:drawing glissando line with (gliss) as text across line
(Ryan Michael)
----------------------------------------------------------------------
Message: 1
Date: Wed, 22 Jun 2016 10:09:09 -0700 (MST)
From: BGM <address@hidden>
To: address@hidden
Subject: Re: Placement of Chorus for Hymn
Message-ID: <address@hidden>
Content-Type: text/plain; charset=us-ascii
Harm - thanks! That's more like what I imagined. It lets me keep the chorus
and the verses in separate vars - it's just what I was hoping for.
Thanks for taking the time!
--
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------------------------------
Message: 2
Date: Wed, 22 Jun 2016 19:25:11 +0200 (CEST)
From: Werner LEMBERG <address@hidden>
To: address@hidden
Cc: address@hidden, address@hidden
Subject: Re: how to get short broken ties
Message-ID: <address@hidden>
Content-Type: Text/Plain; charset=us-ascii
Note that this is not a theoretical issue. Especially in French
impressionistic piano music like the works of Debussy and Ravel
I've seen such a notation, and having a `\shortTie' command would
be handy.
See <https://sourceforge.net/p/testlilyissues/issues/4336/>.
Ah, ok, thanks.
Werner
------------------------------
Message: 3
Date: Wed, 22 Jun 2016 13:42:10 -0700
From: Ryan Michael <address@hidden>
To: lilypond-user <address@hidden>
Subject: drawing glissando line with (gliss) as text across line
Message-ID:
<address@hidden>
Content-Type: text/plain; charset="utf-8"
Hello, I am trying to engrave the following gesture:
%%%%%%%%%%%%%%%%%
bes16\glissando
\tuplet 3/2{ aes8\glissando-\markup{\teeny"glissando between Ab and Bb"}
\once \hide NoteHead a8\glissando \once \hide NoteHead a16\glissando
bes16~}
%%%%%%%%%%%%%%%%%%%%
my idea is to draw the first 16th note, have a visible line connect that
16th the the next 8th note with the word ("gliss") appear across the line
like the first measure of this graphic:
http://sites.siba.fi/documents/705861/705966/SingleGlissando1.png/3a9d5ef5-617d-460b-bfba-e3688ca67a4b?t=1371409410781
how can i do that?
currently, even using the /glissando command between the bes16 and the aes,
lilypond does not draw a visible line. Should I increase the width of the
bar so it is actually visible?
Thanks!
Ryan.
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