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Re: [LSR-620] Vertical line as a baroque articulation mark


From: tisimst
Subject: Re: [LSR-620] Vertical line as a baroque articulation mark
Date: Wed, 8 Apr 2015 10:04:38 -0700 (MST)

On Wed, Apr 8, 2015 at 10:55 AM, Mats Bengtsson-4 [via Lilypond] <
address@hidden> wrote:

> I would perhaps have written
>
>    This short vertical line placed above the note is commonly used in
> baroque music. <p>
>    It is commonly typeset using \staccatissimo, but if you want the
> original layout, the following example demonstrates how to achieve such
> a notation.
>
> Possibly, you could also add a comment on the technical implementation:
> "The code uses an arbitrarily chosen articulation (stopped) and replaces
> the symbol by a markup that gives the desired layout. "
>
>
Why not have it UN-arbitrarily replace the staccatissimo stencil instead?

- Abraham


>     /Mats
>
> On 2015-04-08 11:55, Pierre Perol-Schneider wrote:
>
> > Ok, so how about:
> >
> > %{
> >   This short vertical line placed above the note is commonly used in
> > baroque music.
> >   <p>Its meaning can vary, but generally indicates notes that should
> > be played "staccatissimo".
> >   <p>The following example demonstrates how to achieve such a notation.
> > %}
> >
> > baroqueStaccatissimo =
> > #(define-event-function (parser location) ()
> >    #{
> >       %% possible tweaks here, e.g:
> >       %-\tweak padding #1
> >       %-\tweak avoid-slur #'around
> >       %-\tweak direction #DOWN
> >       -\tweak stencil #(lambda (grob) (grob-interpret-markup grob
> >                           #{
> >                              \markup
> >                              \override #'(thickness . 3)
> >                              \draw-line #'(0 . 1)
> >                           #}))
> >        \stopped
> >    #})
> >
> > \relative c' {
> >   a'4^\baroqueStaccatissimo a( c d')_\baroqueStaccatissimo
> > }
> >
> > Cheers,
> > Pierre
> >
> > 2015-04-07 18:35 GMT+02:00 Mats Bengtsson <[hidden email]
> <http:///user/SendEmail.jtp?type=node&node=174231&i=0>
> > <mailto:[hidden email]
> <http:///user/SendEmail.jtp?type=node&node=174231&i=1>>>:
> >
> >     As a side-note, I normally typeset this articulation as a
> >     staccatissimo, when transcribing baroque music and as far as I
> >     know, it's common practice. This can at least be worth to mention
> >     in the comment of the snippet.
> >
> >        /Mats
> >
> >
> >     On 2015-04-07 18:01, [hidden email]
> <http:///user/SendEmail.jtp?type=node&node=174231&i=2>
> >     <mailto:[hidden email]
> <http:///user/SendEmail.jtp?type=node&node=174231&i=3>> wrote:
> >
> >         Hi Squad Members,
> >
> >         Regarding this snippet:
> >         http://lsr.di.unimi.it/LSR/Item?id=620
> >         I'm not sure about the 'font-size 3' effect; was it for the
> >         articulation
> >         line thickness?
> >         Anyway I'm thinking about putting a more user-friendly script.
> >         How about:
> >
> >         upline =
> >         #(define-event-function (parser location) ()
> >             #{
> >                %% possible tweaks here, e.g:
> >                %-\tweak padding #1
> >                %-\tweak avoid-slur #'around
> >                %-\tweak direction #DOWN
> >                -\tweak stencil #(lambda (grob) (grob-interpret-markup
> grob
> >                                    #{
> >                                       \markup
> >                                       \override #'(thickness . 3)
> >                                       \draw-line #'(0 . 1)
> >                                    #}))
> >                 \stopped
> >             #})
> >
> >         \relative c' {
> >            a'4^\upline a( c d')_\upline
> >         }
> >
> >         Cheers,
> >         Pierre
> >
> >
> >     --
> >     =============================================
> >             Mats Bengtsson
> >             Signal Processing
> >             School of Electrical Engineering
> >             Royal Institute of Technology (KTH)
> >             SE-100 44  STOCKHOLM
> >             Sweden
> >             Phone: (+46) 8 790 8463 <tel:%28%2B46%29%208%20790%208463>
> >             Email: [hidden email]
> <http:///user/SendEmail.jtp?type=node&node=174231&i=4>
> >     <mailto:[hidden email]
> <http:///user/SendEmail.jtp?type=node&node=174231&i=5>>
> >             WWW: http://www.ee.kth.se/~mabe <
> http://www.ee.kth.se/%7Emabe>
> >     =============================================
> >
> >
> >     _______________________________________________
> >     bug-lilypond mailing list
> >     [hidden email]
> <http:///user/SendEmail.jtp?type=node&node=174231&i=6> <mailto:[hidden
> email] <http:///user/SendEmail.jtp?type=node&node=174231&i=7>>
> >     https://lists.gnu.org/mailman/listinfo/bug-lilypond
> >
> >
>
> --
> =============================================
>         Mats Bengtsson
>         Signal Processing
>         School of Electrical Engineering
>         Royal Institute of Technology (KTH)
>         SE-100 44  STOCKHOLM
>         Sweden
>         Phone: (+46) 8 790 8463
>         Email: [hidden email]
> <http:///user/SendEmail.jtp?type=node&node=174231&i=8>
>         WWW: http://www.ee.kth.se/~mabe
> =============================================
>
>
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