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relative mode interacting wierdly with polyphony
From: |
Ted Walther |
Subject: |
relative mode interacting wierdly with polyphony |
Date: |
Wed, 23 Aug 2006 12:55:26 -0700 |
User-agent: |
mutt-ng/devel-r804 (Debian) |
I am learning lilypond by transcribing Blake's "Jerusalem" into Lilypond
format.
In relative mode, the definition of , and ' depends on the "last" note.
Because of the behavior I will describe below, I'd appreciate a
clarification of how "the last" note is defined.
I have two different staffs. Each staff usually has two voices going at
once. I've been doing it a bar at a time, and for each bar, putting in
a << { } // { } >> section. Now that I am 10 bars in, I'm noticing that
the previous five bars are getting messed up, to varying degrees, as I
add each new bar. It is as if the definition of the "last" note that
the , and ' octavation marks apply to is getting changed on the fly
based on the new input.
Is my procedure wrong? Should I be letting the voices run all the way
to the end instead of starting and stopping them at each bar?
When I have two voices on the same staff, if the passage of time is
marked by a note in one voice, will a rest in another voice in the same
staff be made invisible? Is there a way to make it so?
You can see what I currently have here:
http://reactor-core.org/~djw/jerusalem.ly
Ted
--
It's not true unless it makes you laugh,
but you don't understand it until it makes you weep.
Eukleia: Ted Walther
Address: 5690 Pioneer Ave, Burnaby, BC V5H2X6 (Canada)
Contact: 604-430-4973
- relative mode interacting wierdly with polyphony,
Ted Walther <=