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Re: \slashedGrace vs \acciaccatura


From: Phil Holmes
Subject: Re: \slashedGrace vs \acciaccatura
Date: Sun, 25 Sep 2011 15:19:16 +0100

----- Original Message ----- From: "Peekay Ex" <address@hidden>
To: "Devel" <address@hidden>
Sent: Sunday, September 25, 2011 2:01 PM
Subject: \slashedGrace vs \acciaccatura


Hello,

I am just wanting a clarification of the difference between the
\slashedGrace and \acciaccatura functions.

Is it just that  \acciaccatura is always written with a slur and a
grace note (\slashedGrace) may or may not be?

I wanted to know the difference (musically and perhaps technically)
the difference between

\slashedGrace c8~ c1

and

\acciaccatura c8 c1

So I could accurately document this (with the existing examples).

The output looks the same. Inferring that \slashedGrace c8~ c1 is
redundant as we have \acciaccatura c8 c1.

Thanks for your time.


No doubt others will step in, but a) I believe the slashedGrace function is to allow a slurred grace note inside a slur and b) I'm not convinced a tied grace note makes musical sense - it's an ornamentation of briefly playing one note before switching to another. Having them tied is a bit like a single note trill or turn?

\relative c''' {
 c1(
 \slashedGrace d8 c2
 \acciaccatura d8 c2
 c16~ c2)
 c16( c2)
}

--
Phil Holmes





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