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Re: Document <> and improve other simultanous music documentation. (issu
From: |
dak |
Subject: |
Re: Document <> and improve other simultanous music documentation. (issue 6248080) |
Date: |
Fri, 01 Jun 2012 20:12:57 +0000 |
Reviewers: Ian Hulin (gmail),
http://codereview.appspot.com/6248080/diff/6001/Documentation/notation/simultaneous.itely
File Documentation/notation/simultaneous.itely (right):
http://codereview.appspot.com/6248080/diff/6001/Documentation/notation/simultaneous.itely#newcode82
Documentation/notation/simultaneous.itely:82:
On 2012/06/01 17:08:19, Ian Hulin (gmail) wrote:
@cindex placeholder events
I have my doubts that people will think of that keyword, but I don't
have a better candidate.
http://codereview.appspot.com/6248080/diff/6001/Documentation/notation/simultaneous.itely#newcode83
Documentation/notation/simultaneous.itely:83: A chord acts merely as
container for the notes inside and ornamentations
On 2012/06/01 17:08:19, Ian Hulin (gmail) wrote:
"A chord merely acts as a container for notes inside it and and allows
articulations or ornaments to be added consistently to all notes
inside."
No, that would be wrong.
<a-1 c-1 e-1> is different from <a c e>-1 and
<a\p c\p e\p> is different from <a c e>\p
http://codereview.appspot.com/6248080/diff/6001/Documentation/notation/simultaneous.itely#newcode84
Documentation/notation/simultaneous.itely:84: added to it. As one
consequence, a chord without notes inside does not
On 2012/06/01 17:08:19, Ian Hulin (gmail) wrote:
"As a consequence, a ..."
"As a consequence" ... "Furthermore" is not a pairing like "As one
consequence" ... "As another". In this case, I'd likely just write
"Consequently," ...
Description:
Document <> and improve other simultanous music documentation.
This is a side issue of 2522: it improves the documentation dealing
with various ways of entering parallel music and gives the necessary
information to understand <> as a special case of chords.
Please review this at http://codereview.appspot.com/6248080/
Affected files:
M Documentation/notation/simultaneous.itely
Index: Documentation/notation/simultaneous.itely
diff --git a/Documentation/notation/simultaneous.itely
b/Documentation/notation/simultaneous.itely
index
90669730a7f8682e0d43ae6f631d9cf43a8748fe..7d7592e4f032440b0dc8067b9ace991c04f81178
100644
--- a/Documentation/notation/simultaneous.itely
+++ b/Documentation/notation/simultaneous.itely
@@ -78,6 +78,19 @@ they will not print.
<a\f c( e>1 <a c) e>\f <a\< c e>( <a\! c e>) <a c e>\< <a c e> <a c e>\!
@end lilypond
address@hidden chords, empty
+
+A chord acts merely as container for the notes inside and ornamentations
+added to it. As one consequence, a chord without notes inside does not
+actually have a duration but can still be useful for attaching
+articulations. As another, there is considerable leeway for arranging
+notes and articulations to happen at the same time without changing the
+result (for more possibilities, @pxref{Simultaneous expressions}):
+
address@hidden,quote,relative=2]
+<a c>2-. <>-^ <a c>
address@hidden lilypond
+
@cindex relative pitch, chords
@cindex chords, relative pitch
@@ -244,8 +257,17 @@ a << { a4 b g } { d4 g c, } >>
@end lilypond
This can be useful if the simultaneous sections have identical
-rhythms, but attempts to attach notes with different durations
-to the same stem will cause errors.
+rhythms; but attempts to attach notes with different durations to
+the same stem will cause errors. Notes, articulations, and property
+changes in a @emph{single} @samp{Voice} are collected and engraved in
+musical order:
+
address@hidden,verbatim,relative=2]
+<a c>4-. <>-. << c a >> << { c-. <c a> } { a s-. } >>
address@hidden lilypond
+
+Multiple stems or beams or different note durations or properties at
+the same musical time require the use of multiple voices.
The following example shows how simultaneous expressions can
generate multiple staves implicitly:
@@ -255,7 +277,8 @@ generate multiple staves implicitly:
<< { a4 b g2 } { d4 g2 c,4 } >>
@end lilypond
-Here different rhythms cause no problems.
+Here different rhythms cause no problems because they are
+interpreted in different voices.
@cindex collisions, clashing note columns
@cindex collisions, ignoring
- Re: Document <> and improve other simultanous music documentation. (issue 6248080), ianhulin44, 2012/06/01
- Re: Document <> and improve other simultanous music documentation. (issue 6248080),
dak <=
- Re: Document <> and improve other simultanous music documentation. (issue 6248080), tdanielsmusic, 2012/06/01
- Re: Document <> and improve other simultanous music documentation. (issue 6248080), k-ohara5a5a, 2012/06/01
- Re: Document <> and improve other simultanous music documentation. (issue 6248080), dak, 2012/06/02
- Re: Document <> and improve other simultanous music documentation. (issue 6248080), dak, 2012/06/02
- Re: Document <> and improve other simultanous music documentation. (issue 6248080), dak, 2012/06/02