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Re: engraving question - temporary voices in vocal music


From: Phil Holmes
Subject: Re: engraving question - temporary voices in vocal music
Date: Sat, 19 Feb 2011 13:15:44 -0000

----- Original Message ----- From: "Janek Warchoł" <address@hidden>
To: "lilypond-user" <address@hidden>
Sent: Friday, February 18, 2011 8:00 PM
Subject: engraving question - temporary voices in vocal music


Hi,

i have a SATB choral piece and occasionally some voices are split in
two. If the rhythyms differ, a polyphonic notation must be used -
that's obvious. But, what to do in the situation pictured in the
problem.png attachment? Is the notation used self-explanatory?
It's all about the first note. In my opinion it's clear that it should
be sang by both voices, but maybe an explicit polyphonic notation
should be used (see explicit.png)?
Do engraving books say anything about this?
What do you think about this?

cheers,
Janek


Just to back up my "either is OK" comment, here's a little bit from Chappell's version of the Gondoliers. Personally I think this is lazy, but it's how they've done it.

--
Phil Holmes

Attachment: GondVoices.png
Description: PNG image


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