Re: Consistency of engraving of hairpin

[SoundsFromSound]

Nick Payne-3 wrote
> See below. In bar 1, where the starting point of the hairpin in the top 
> voice is a rest, the hairpin starts at a point midway between that rest 
> and the following note. If the hairpin starts on a note, or if the 
> hairpin is move to another voice consisting of only spacer rests, then 
> the behaviour is different.
> 
> The difference in behaviour is the same if there is only a single voice, 
> though then it doesn't make sense to start the hairpin on the rest.
> 
> \version "2.17.96"
> 
> \relative c'' {
>    \time 2/4
>    <<
>      {
>        r16\> a a a a a a a\!
>        r16 a a a a a a a
>        a16\> a a a a a a a\!
>      }
>      \\
>      {
>        a,2
>        a
>        a
>      }
>      \\
>      {
>        s2
>        s16\> s s s s s s s\!
>        s2
>      }
>    >>
> }
> 
> _______________________________________________
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> lilypond-user@

> https://lists.gnu.org/mailman/listinfo/lilypond-user
> 
> 
> test.png (6K)
> &lt;http://lilypond.1069038.n5.nabble.com/attachment/154551/0/test.png&gt;

I don't follow what you're saying. What behavior are you expecting w/ the
hairpins? I saw the PNG but I can't figure out what you're after. Sorry.





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