On 22/05/18 21:11, Arle Lommel wrote:
lmost right, but doesn’t function quite as Hindemith’s
notation does:
* The Hindemith editions use time signatures /both/ above and in
line,
but never at the same time. They serve different purposes. The
snipped removes the ability to do the in-line time signatures
because the time signature engraver is removed from the main
staffs.
Easy enough to put in, but then I need to brush up enough to
selectively control where a time signature appears
* Hindemith also limits the effect of a superior time signature to a
single measure. The following measure reverts (with nothing
displayed) to the original meter. So replicating the Schott
practice
would mean also hiding the time signature following such a
measure.
But this is very useful as a suggestion of an approach. Maybe I can
find
a way to selectively hide/show time signature changes in each context
to
get what I want.
Another possible approach, for the temporary time changes, is can you
display the new time signature without actually setting it? (Ie if the
piece is in 2/4, you display 3/4 but lilypond still thinks its a 2/4
bar
as before with no change.
Then just use \times 2/3 {} for that bar so the notation displays
correctly.
Okay, that won't work for midi, but for scores it might be a good
solution.