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From: | Simon Albrecht |
Subject: | Re: octavating slurs |
Date: | Fri, 1 Nov 2019 14:40:29 +0100 |
On 01.11.19 13:57, David Kastrup wrote:
Usually there are either separate voices (in which case you want separate stems) or not (like in a piano extract done with the voice combiner). This kind of an optional bass octave at deliberation of the singer is sort of a weird middle case.
Not in terms of music typography. In those terms it’s exactly the same as with e.g. two wind instruments sharing a staff in a score: they don’t get double slurs either.
Best, Simon
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