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Re: How to limit the effect of \voiceOne for certain parts of the score?
From: |
Bernhard Kleine |
Subject: |
Re: How to limit the effect of \voiceOne for certain parts of the score? |
Date: |
Thu, 9 Apr 2020 14:55:20 +0200 |
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Mozilla/5.0 (Windows NT 10.0; Win64; x64; rv:68.0) Gecko/20100101 Thunderbird/68.6.0 |
Thanks a lot!
Am 09.04.2020 um 14:22 schrieb Phil Holmes:
> https://lilypond.org/doc/v2.19/Documentation/learning/explicitly-instantiating-voices
>
>
> \oneVoice
>
> --
> Phil Holmes
>
>
> ----- Original Message ----- From: "Bernhard Kleine"
> <address@hidden>
> To: <address@hidden>
> Sent: Thursday, April 09, 2020 11:43 AM
> Subject: How to limit the effect of \voiceOne for certain parts of the
> score?
>
>
> Dear all,
>
> in Mendelssohn Bartholdy's 100th psalm, the middle part is for eight
> voices while the outer parts are only for four voices. When I define
> soprano voice 1 and 2 for one staff at the beginning with voiceOne and
> voiceTwo, the stems and pauses for the one soprano voice are optically
> unpleasing. I would like to have the effect of \voiceOne resp. \voiceTwo
> only for the middle part. How to achieve this?
>
> Thanks a lot and stay healthy and democratic!
>
>
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