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Re: ties between voices


From: Xavier Scheuer
Subject: Re: ties between voices
Date: Mon, 29 Jun 2020 22:21:45 +0200

On Mon, 29 Jun 2020 at 21:37, David Zelinsky <dzpost@dedekind.net> wrote:
>
> I've done some reasonably complicated things in Lilypond, but still have
> lots to learn.  My current conundrum is to typeset the attached snippet.
> I can't figure out how to get the tie between the G's, without breaking
> the double stops in the first measure into two separate voices, and so
> breaking their stems.  Can someone show me how to do this?
>
> It may be debatable whether it should be notated this way.  I think it
> should.  (It's from the Glière cello duos, op. 53.)  But my question is
> how to do it, assuming this is desired result.

Hi David,

I would probably write it this way, but there are other possibilities (maybe start the voiceOne already on the second beat of the first measure).

\relative c' {
  \key g \major
  <e c'!>8.( <c a'>16) <c a'>2^( <bes g'^~>4 |
  <<
    { \voiceOne g'4 f) }
    \new Voice = "voiceTwo" {
      \voiceTwo
      a,2
    }
  >>
  \oneVoice
  c4( d) |
}

Cheers,
Xavier

-- 
Xavier Scheuer <x.scheuer@gmail.com>


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