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Re: \time 9/8 (3/4)
From: |
address@hidden |
Subject: |
Re: \time 9/8 (3/4) |
Date: |
Fri, 29 Jul 2022 11:14:34 +0000 (GMT) |
Carl,
The 9/8(3/4) time can be used in a situation where the music is in three beats
per measure but it changes between a triple and duple feel. There is exactly
such a thing in the Blazhevich "70 Studies for Tuba."
-David
----- Original Message -----
> From: "Carl Sorensen" <carl.d.sorensen@gmail.com>
> To: "Eef Weenink" <h.e.weenink@de-erve.nl>
> Cc: "Lillypond Users Mailing List" <lilypond-user@gnu.org>
> Sent: Friday, July 29, 2022 11:00:01 AM
> Subject: Re: \time 9/8 (3/4)
> On Thu, Jul 28, 2022 at 1:52 PM Eef Weenink <h.e.weenink@de-erve.nl> wrote:
>
>> This score starts with \time 9/8, but i also should have 3/4 feeling, so
>> there is written:
>>
>> 9/8 (3/4) (in parenthesis).
>
>
> Just curious, because I know precious little about polymetry.
>
> Does 9/8 (3/4) mean anything different from (3 + 3 + 3)/8 ?
>
> To my novice eye, both mean that it's 9/8 with three primary beats per
> measure. Also to my novice eye, it seems that 9/8 can/t have a 3/4
> alternate time signature; perhaps a (3/4.) , but not a (3/4).
>
> I;m not trying to be argumentative, or say that the original
> composer/engraver is wrong. I'm just interested understanding some of the
> new conventions.
>
> THanks,
>
> Carl
- \time 9/8 (3/4), Eef Weenink, 2022/07/28
- Re: \time 9/8 (3/4), Carl Sorensen, 2022/07/29
- Re: \time 9/8 (3/4),
address@hidden <=
- Re: \time 9/8 (3/4), David Kastrup, 2022/07/29
- Re: \time 9/8 (3/4), Kieren MacMillan, 2022/07/29
- Re: \time 9/8 (3/4), Wol, 2022/07/29
- Re: \time 9/8 (3/4), David Kastrup, 2022/07/29
- Re: \time 9/8 (3/4), Eef Weenink, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Paul Hodges, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Hans Åberg, 2022/07/29
- Re: \time 9/8 (3/4), Kieren MacMillan, 2022/07/29