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Re: Transposed Chord name "F flat"


From: Anthony W. Youngman
Subject: Re: Transposed Chord name "F flat"
Date: Tue, 2 Nov 2004 23:20:52 +0000
User-agent: Turnpike/6.02-U (<kadi9FnjOBL6XNAiRMnYuwUxdX>)

In message <address@hidden>, Matthias Neeracher <address@hidden> writes

On Oct 28, 2004, at 12:27 AM, David Bobroff wrote:

I'm not a developer, but this looks right to me.  In your example you
have a chord which is a diminished step above the tonic of the key.
When you transpose this down one whole step it remains the same relative
to the key.

Thanks for explaining this logic. My music theory is not overly sound, so I'm perfectly willing to accept that there is a sound theoretical justification for this. Nevertheless, I'd still argue that on a practical level, "E" might be preferable here.

Bear in mind, E and F-flat aren't actually the same note. Not only are they different points on the key scale, but in a properly tuned scale they aren't even the same frequency! Very close, but not the same.

Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies-to-People.
The Science of Discworld : (c) Terry Pratchett 1999




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