[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
Re: Key signatures in modes other than Ionian & Aeolian
From: |
Thomas Morley |
Subject: |
Re: Key signatures in modes other than Ionian & Aeolian |
Date: |
Mon, 16 Apr 2018 23:43:49 +0200 |
2018-04-16 21:18 GMT+02:00 Peter Crighton <address@hidden>:
> Hello all,
>
> my question is not exclusive to LilyPond, but I hope you can enlighten me
> anyway.
>
> I am transcribing a song in D Mixolydian and am wondering which key
> signature to notate it in – d \mixolydian (because that is the mode it is
> in) or d \major (because a D major chord clearly is the tonic of the song).
> I’d rather notate it in d \mixolydian, which seems correct to me, but might
> it be easier to read (especially for non-professional musicians) in d \major
> just with a natural sign before every c?
> What is everyone doing in such a case? Any experiences which is easier to
> read? Also, could the style of music matter? In Early Music I’d be even more
> inclined to notate in d \mixolydian, but in this case it is a pop song where
> people might only expect to see major or minor keys.
>
> Curious to hear what you all think.
>
> Thanks,
> Peter
If it's really D Mixolydian, go for `d \mixolydian'. D-major would be
simply wrong and confusing.
My 2cts,
Harm