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Re: Key signatures in modes other than Ionian & Aeolian
From: |
Henning Hraban Ramm |
Subject: |
Re: Key signatures in modes other than Ionian & Aeolian |
Date: |
Tue, 17 Apr 2018 09:39:28 +0200 |
Am 2018-04-17 um 07:47 schrieb Lukas-Fabian Moser <address@hidden>:
> Am 17.04.2018 um 01:24 schrieb Torsten Hämmerle:
>
>> Even if my opinion may differ from the general opinion here, I think that in
>> popular music, one would use standard D major key signature.
>> Reason: Two sharps clearly show D major tonic and the characteristic mixo
>> tone C (flat seventh) stands out in the sheet music by the accidental used.
> I very much agree. In my impression, nowadays most musicians (save medieval
> or Renaissance music specialists and maybe Jazz musicians) tend to only
> differentiate between "major-like" and "minor-like" scales/keys, which means
> that every modal scale is measured against the one of the two "standard"
> scales/keys more similar to what is at hand. ...
Speaking as a singer/songwriter with limited musical knowledge: I don’t care
about the correct description of the scale, I just adhere to whatever
accidentals and chord names are given.
My own songs often change keys for a few measures (or how do you call chord
progressions like c a f g?) or use scales that I don’t know how to classify (a
bes cis d e f g = a freylach?), and I use that \key (major/minor) that fits
most of the accidentals.
Greetlings, Hraban
---
fiëé visuëlle
Henning Hraban Ramm
http://www.fiee.net
- Key signatures in modes other than Ionian & Aeolian, Peter Crighton, 2018/04/16
- Re: Key signatures in modes other than Ionian & Aeolian, Thomas Morley, 2018/04/16
- Re: Key signatures in modes other than Ionian & Aeolian, David Kastrup, 2018/04/16
- Re: Key signatures in modes other than Ionian & Aeolian, Hans Åberg, 2018/04/16
- Re: Key signatures in modes other than Ionian & Aeolian, Al Rushing, 2018/04/16
- Re: Key signatures in modes other than Ionian & Aeolian, Torsten Hämmerle, 2018/04/16