|
From: | Martin Straeten |
Subject: | Re: Ornamentation in Bach's piece |
Date: | Mon, 20 Sep 2021 08:46:57 +0200 |
> On 19 Sep 2021, at 14:44, 田村淳 <j.tamura@me.com> wrote:
>
> Hello Lukas,
>
>> 2021/09/19 21:14、Lukas-Fabian Moser <lfm@gmx.de>のメール:
>>
>> Hi Jun,
>>
>> Am 19.09.21 um 09:07 schrieb 田村淳:
>>> Is there a snipett to realize this?
>>> This is from the 3rd movement of the Sonata for Viola da Gamba and Harpsichord in G-minor, BWV 1029, by J. S. Bach.
>>>
>>> Thanks in advance for your kind help.
>>>
>>> Jun
>>>
>>> <ornamentation.jpg>
>> I think that's an instance of
>>
>> https://gitlab.com/lilypond/lilypond/-/issues/6127
>>
>> https://lsr.di.unimi.it/LSR/Item?u=1&id=720
>>
>> https://gitlab.com/lilypond/lilypond/-/issues/503
>>
>> Lukas
>>
> Thank you. My question/request is identical to the issue #6127.
>
> According to the Wikipedia article https://en.wikipedia.org/wiki/Slide_(musical_ornament), the Schleifer can be used for arbitrary interval while J. S. Bach seems to have used it for third very often. I think that a solution with a fixed symbol for third would be beneficial at least for those who have been typesetting Bach’s music often.
The Harvard Concise discusses it in the article on double appoggiatura, essentially a variation of two merged appoggiaturas a third apart. The symbol itself is called a direct, custos in Latin, in early manuscripts used at the end of staff to warn about the next note.
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