Re: Time signature guide

[Leo Correia de Verdier]

I’m not sure I understood your question right, but I think the usual way to do 
it would be to write the ”global” variable as a sequence of tempos, time 
signatures and other events separated by spacers or skips. 

Something like:

%%%%%%%%%%%%%%

\version "2.23.6"

global = { \time 4/4 \tempo "Allegro" 4 = 144 
           s1
           \time 3/8 \tempo "Adagio" 8 = 76 
           s4.
           \time 5/8 \tempo "" 8 = 92 
           s8*5
           \time 3/2 \tempo "Vivo" 2 = 152 
           s1.
           \bar "|."
}
           
part = { c'1 | d'4. | e'4~ 4. | a'1. }

\new Staff << \global \part >>

\layout { ragged-right = ##f }

%%%%%%%%%%%%%%

> 21 mars 2022 kl. 09:51 skrev Rip _Mus <ripetizioni.musica@gmail.com>:
> 
> Good morning,
> I would need advice.
> In a score with many time signature changes (where I therefore cannot use a 
> stable global variable of tempo and time signature), there is a way to set a 
> "guide" in which to set the various time signature changes, without " dirty 
> "the instrumental variables?
> Perhaps there is some suitable context for this? Or other strategies?
> 
> Thank you very much
> 
> Rip_mus