Re: Time signature guide

[Leo Correia de Verdier]

I hadn’t seen David’s reply until after I posted, otherwise I wouldn't have 
basically repeated his answer.
A disadvantage of the << … \\ … >> syntax in this case is that it applies 
\voiceTwo to \melody (it has all its stems turned down, for instance). While 
you can reset that with \oneVoice I prefer just placing them in parallell in 
the same explicitly initiated Staff, as I did.

> 22 mars 2022 kl. 10:27 skrev Rip _Mus <ripetizioni.musica@gmail.com>:
> 
> Thank you so much,
> you offered two similar and valid solutions!
> 
> Regards
> 
> 
> 
> Il giorno lun 21 mar 2022 alle ore 10:19 Leo Correia de Verdier 
> <leo.correia.de.verdier@gmail.com> ha scritto:
> I’m not sure I understood your question right, but I think the usual way to 
> do it would be to write the ”global” variable as a sequence of tempos, time 
> signatures and other events separated by spacers or skips. 
> 
> Something like:
> 
> %%%%%%%%%%%%%%
> 
> \version "2.23.6"
> 
> global = { \time 4/4 \tempo "Allegro" 4 = 144 
>            s1
>            \time 3/8 \tempo "Adagio" 8 = 76 
>            s4.
>            \time 5/8 \tempo "" 8 = 92 
>            s8*5
>            \time 3/2 \tempo "Vivo" 2 = 152 
>            s1.
>            \bar "|."
> }
> 
> part = { c'1 | d'4. | e'4~ 4. | a'1. }
> 
> \new Staff << \global \part >>
> 
> \layout { ragged-right = ##f }
> 
> %%%%%%%%%%%%%%
> 
> > 21 mars 2022 kl. 09:51 skrev Rip _Mus <ripetizioni.musica@gmail.com>:
> > 
> > Good morning,
> > I would need advice.
> > In a score with many time signature changes (where I therefore cannot use a 
> > stable global variable of tempo and time signature), there is a way to set 
> > a "guide" in which to set the various time signature changes, without " 
> > dirty "the instrumental variables?
> > Perhaps there is some suitable context for this? Or other strategies?
> > 
> > Thank you very much
> > 
> > Rip_mus
>