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From: | Mats Bengtsson |
Subject: | Re: German notation |
Date: | Mon, 30 Jan 2023 14:56:31 +0100 |
User-agent: | Mozilla/5.0 (X11; Linux x86_64; rv:102.0) Gecko/20100101 Thunderbird/102.4.2 |
By the way, there also
exists the opposite: In (older?) scores of symphonies by Anton
Bruckner, the violoncello part, if using the violin clef, is notated
one octave higher than sounding.
This is also common in Dvorak, for example. Strauss-Berlioz describe a precise rule for this (according to them, violin clef for cello is written one octave higher if it occurs i) right at the start of a piece or ii) after music in bass clef; it's written _loco_ if it comes after a passage in tenor clef). But then they (i.e. probably Berlioz) continue:
"Dieser durch nichts zu rechtfertigende Gebrauch führt um so häufiger zu Mißverständnissen, als manche Violoncellisten keine Notiz davon nehmen und den G-Schlüssel stets nur in seiner wirklichen Bedeutung nehmen."
(Roughly: There's no justification for this usage which often leads to confusion, in particular since some cellists are unaware of it and always read the treble clef in its standard meaning.)
My cello friends use to call it "trouble clef"!
/Mats
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