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From: | Jogchum Reitsma |
Subject: | Re: Lirics in repeated multi-voice bar |
Date: | Thu, 31 Mar 2022 12:55:23 +0200 |
User-agent: | Mozilla/5.0 (X11; Linux x86_64; rv:91.0) Gecko/20100101 Thunderbird/91.6.1 |
Yes, I agree, although I don't think three German lines would pose a real problem to our (Dutch) choirOn Tue 29 Mar 2022 at 10:55:01 (-0600), Carl Sorensen wrote:<...>On Tue, Mar 29, 2022 at 5:08 AM Jogchum Reitsma <j.reitsma@hccnet.nl> wrote:The song has three (double-)verses, and the underlay is trivially different for the altos in verse one around measure 7, which might be a reason for setting it separately. (Three lines of German might also be difficult for some.)
However, the split bass at the end causes no problems at all: just add a new voice for one part, and let the lyrics carry through in the other (ie no change for them), eg: fs1 fs4( gs) gs( fs) cs\breve < fs, cs' >\breve << { \voiceTwo fs\breve ~ fs1 fs } \new Voice { \voiceOne cs'\breve ~ cs1 ds } >> < gs, cs, >\breve
I'm not sure how to interpret this code. If I insert it on the pace at hand in my score, I get error messages saying "fs is not a note name", and so on. Or is the mail system distorting your message?
Deleting all the 's'-es (fs, gs, and so on) of course removes that error messages. But than I'm not sure why you are coding \breve notes here - Iḿ not surprised that inserting that in my code gives strange results... Besides that, the f's should be f-sharp, an the compiler complains about ties not being able to end.
As I see it, the high bass-line should read (after the half note
rest)
g2 | f-sharp1(~ | f-sharp4 e) e2 |
and the lower bass-line
g,2 | f-sharp2( b4 g-sharp | a2) a
The last bar is one voice again, <d d,>2 \fermata r2
See the "original", after which I coded the piece
But maybe I don't understand you correctly?
I think that what you mean by "just add a new voice for one part,
and let the lyrics carry through in the other" is, at least for
placing the lyrics, what I did in my answer to Carl's message (see
my reaction to him above)
No, I didn't wonder :-)(In case you wonder why there are two parts here, and not chords, it is of course because it's \voiceOne cs'\breve cs1( ds) in the original score.)
Cheers, David.
many thanks, and regards, Jogchum
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